3. Once the
Presence
control has been adjusted to
provide
the most pleasing balance between the low
frequency and midrange transducers, set the Brilliance
control
at "0."
If high frequency material —such
as
cymbals, bells, triangles,
violin
overtones or vocal
sibilants
—seem too prominent, lower the setting of
the
Brilliance control. If greater high frequency output
is
desired, increase the setting of the control.
After
each
set of adjustments, again listen to
a
variety
of
program material
until
the ear has
become
attuned
to
the new characteristics and can compare them to the
previous
performance of the system. Once the
Presence
and
Brilliance controls have been set for the most
pleasing overall results, and the
exact
placement of
•each
loudspeaker has been determined, compensation
for
differences in
individual
recordings should
be
made
with
the tone controls on the amplifier or receiver.
The
specified power capacity indicates the continuous
program
power level that can
be
accepted
by
a
JBL
loudspeaker system
without
damage. Its peak power
capacity is considerably greater than the continuous
rated
value,
as
indicated by the remarkable transient
response of JBL loudspeaker system components. The
Decade
36
will
reproduce clean sound at comfortable
listening
levels when driven by an amplifier having an
output
of as
little
as
10 Watts RMS per channel.
4
However,
for reproduction of the
full
dynamic range
of
contemporary recordings at high volume,
a
quality
amplifier
delivering up to 100 Watts RMS per channel
will
provide
optimum
performance. In normal high
fidelity
applications an amplifier should never
be
operated
with
its volume control at maximum, yet
such an amplifier has the reserve power
necessary
for
accurate reproduction of transients, which can reach
momentary
peaks equivalent to ten times the average
power
level.
If
distortion
is
heard, one or more of the sound system
components
is
operating beyond its capacity (assuming
each
component is properly adjusted) and the overall
volume
level of the sound system should
be
reduced.
In
almost all
cases,
the acoustic level generated by
a
JBL loudspeaker
will
become
noticeably discomforting
to
the ear before the loudspeaker can
be
damaged by
excessive
power
from
the amplifier. There
is
virtually
4.
The RMS (root
mean
square)
rating
of amplifier power
is
the most
stringent
method
currently
used in the audio
industry.
An amplifier rated at 60
Watts
RMS per channel,
for example, is generally considered to be a high-powered
unit.
The
same
output expressed in terms of
"Music
Power"
would
be 160
Watts.
8
PO\
vEk CAPACITY