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LOOP CONTROLS
AUTO LOOP - During playback, press SHIFT (19) + AUTO LOOP (18) to switch the
performance pads to auto loop mode. Press a PERFORMANCE PAD (8) to set the loop in
point. Each performance pad corresponds to a predefined loop length between 1/8 and 16
bars.
SETTING A MANUAL LOOP - During playback, press LOOP IN (20) at the desired
starting position for the loop (loop in point).
Press LOOP OUT (20) at the desired ending position for the loop (loop out position). The
loop out point is now set and loop playback starts from the loop in point.
ADJUSTING A LOOP - To adjust a manual loop or Auto Loop once the loop is set, press
the /2 or X2 buttons (20) to halve or double the loop. By halving a loop consecutively you
can achieve loop roll effect.
CANCELING A LOOP - While the loop is engaged, press RELOOP/EXIT (20) to
disengage the loop. Playback continues after the loop out point.
RETURNING TO A LOOP - After canceling a set loop, press RELOOP/EXIT (20) during
playback to reengage the last set loop. Loop playback begins at the loop in point.
DELETING A LOOP - While in loop mode hold SHIFT (19) and press the PERFORMANCE
PAD (8) which is storing the loop you would like to delete.
MIXER SECTION
Each channel of the GMX has a rotary GAIN CONTROL (21), a 3-BAND EQUALIZER (22),
and a TRACK FADER (25) to make tonal and volume adjustments to each channel. The
GAIN CONTROL (21) adjusts the gain of the incoming signal on each channel. The 3-BAND
EQUALIZER (22) adjusts the tone of the incoming signal on each channel across 3 bands:
LOW, MID, and HIGH. The TRACK FADERS (25) are 60mm faders that adjust the sound
volume for each channel (adjustable from -∞ to 0 dB).
FILTER - The FILTER (23) effect is a band-pass filter and will filter out either the high
frequencies or the low frequencies. In the center position, there is no effect on the sound.
Adjusting the effect towards the left will gradually remove high frequencies until there is just
lowend (bass). Adjusting the effect towards the right will gradually remove the low
frequencies until only high frequencies (treble) remain.
PFL (PRE-FADER LISTEN) - The PFL (24) will assign the track output to the
cue/headphone output for listening
TRACK FADER - The TRACK FADER (25) will control the level of the individual track
volume going to the master and booth outputs , prior to the CROSS FADER () level.
CROSS FADER - The CROSS FADER (32) allows mixing between two decks.
MASTER VOLUME - The MASTER VOLUME (27) controls the right and left MASTER
OUTPUT which is the output of the overall mix.
*NOTE: Going above 0dB (into the red indicators) should be avoided as the signal will distort
and could damage to other equipment.
CUE MIX - The CUE MIX (30) controls the mix of the headphone output between the PFL
(cue mix) and PGM (master output) mix.
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