2-TRACK RECORDER
groups
stereo amplifier
LEFT
RIGHT
MUSICIANS CUE
MONITOR LOUDSPEAKER SYSTEM
stereo
amplifier
outputs
inputs
4-TRACK MULTITRACK
returns
line ins
Y-splitters
send
return
STEREO EFFECTS
2
1
PATCHED EFFECT
POST
PRE
up
Set the REV
switches to the up
position for group
(track) and L-R
outputs.
These are often used in location recording to prevent
unexpected signal peaks overloading the recorder.
COMPRESSOR/LIMITERS
(or repatch leads as required)
Here, a typical small STUDIO RECORDING setup
is shown with 4-track multitrack and 2-track master-
ing recorders (ideal for hard disk and DAT recording
systems). The dedicated 2-track sends or the balanced
L,R outputs may be used to feed the 2-track.
Select aux 1 to 4 post-fade for the effects processors.
Two stereo devices are illustrated here with their
outputs returned to the stereo channels. Additional
floating effects devices may be patched into the chan-
nel or output inserts as shown.
Select aux 5 and 6 pre-fade to provide a stereo cue to
the musicians headphones. Alternatively these may be
set post-fade for additional effects and the L,R outputs
used for cue.
The additional rear panel phones/monitor output feeds
the studio reference loudspeaker system to monitor the
console signals and recorded tracks without interrupt-
ing the recording itself.
For LIVE RECORDING the channel inserts may be
tapped (link send to return) to provide additional pre-
fade direct feeds to a multitrack.
aux 5
aux 6
stereo and multitrack ... studio ... live ... location ... audio visual ... production ...
RECORDING
MULTITRACKING: To
monitor the track returns select
RET and adjust LEV and PAN for
the required monitor mix.
Alternatively, use the channel line
inputs if a dedicated musicians cue
feed (aux 5,6) is required.
To monitor the group sends to the
multitrack select GRP.
MIXDOWN: Use GRP for
subgrouping or RET for effects
returns. Mix the track returns
through the channel line inputs.
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