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Casio CTK-530 User Manual

Casio CTK-530
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Keyboard
splif
tones
Some
of
the
preset
tones
split
the
keyboard
and
assign
two
or
more
sounds.
With
such
a
preset
tone,
the
sound
produced
depends
on
what
position
of
the
keyboard
you
play.
For
example,
BASS/E.PIANO
(tone
61)
puts
BASS
on
the
left
and
E.PIANO
on
the
right
the
keyboard.
<Example>
BASS/E.PIANO
(No.61)
«+——
BASS
——>1<
PERCUSSION
(No.63)
PERCUSSION
(tone
63)
assigns
50
percussion
sound
to
the
keyboard
as
illus-
trated
below.
The
sound
assigned
to
each
key
are
indicated
above
the
keyboard.
E.
PIANO————>|
<3
Feoge
(
BASS
DRUM
ye
RIDE
BELL
2p
MARACAS
€3
SIDE
STICK
(}
TAMBOURINE
#
SHORT
WHISTLE
G3
ACOUSTIC
SNARE
é7
SPLASH
CYMBAL
+
LONG
WHISTLE
773
HAND
CLAP
Qs
COWBELL
a
SHORT
GUIRO
~
ELECTRIC
SNARE
v7?
CRASH
CYMBAL
2
g%
LONG
GUIRO
3
LOW
FLOOR
TOM
&,
VIBRASLAP
_
&
CLAVES
>
CLOSED
HI-HAT
SS
RIDE
CYMBAL
2
E43
HIGH
WOOD
BLOCK
HIGH
FLOOR
TOM
tig
HIGH
BONGO
Eka
LOW
WOOD
BLOCK
=
PEDAL
HI-HAT
ggg
LOW
BONGO
€2
MUTE
CUICA
(
LOWwTOM
§
MUTE
HIGH
CONGA
@
OPENCUICA
“>
OPEN
HI-HAT
f
OPEN
HIGH
CONGA
A.
MUTE
TRIANGLE
G
LOW-MID
TOM
§
LOWCONGA
A,
OPEN
TRIANGLE
8
HIGH-MID
TOM
©9
HIGH
TIMBALE
«>»
SHAKER
“2?
CRASH
CYMBAL
1
@o
LOW
TIMBALE
ey
BELL
~
HIGH
TOM
Q\
HIGH
AGOGO
f
STICKS
S&
RIDE
CYMBAL
1
Qx
LOW
AGOGO
SS
CASTANETS
&
CHINESE
CYMBAL
CABASA
Digital
Sampling
A
number
of
the
tones
that
are
available
with
this
keyboard
have
been
recorded
and
processed
using
a
technique
called
digital
sampling.
To
ensure
a
high
level
of
tonal
quality,
samples
are
taken
in
the
low,
mid,
and
high
ranges
and
then
combined
to
provide
you
with
sounds
that
are
amazingly
close
to
the
originals.
You
may
notice
very
slight
differences
in
volume
or
sound
qualitv
for
some
tones
Once.
when
you
play
them
at
different
positions
on
the
keyboard.
This
is
an
unavoid-
able
result
of
multiple
sampling,
and
it
is
not
a
sign
of
malfunction.
Polyphony
The
term
polyphony
refers
to
the
maximum
number
of
notes
you
can
play
at
the
same
time.
The
CTK-530
has
24-note
polyphony,
which
includes
the
notes
you
play
as
well
as
the
rhythms
and
auto-accompaniment
patterns
that
are
played
by
the
keyboard.
This
means
that
when
a
rhythm
or
auto-accompaniment
pattern
is
being
played
by
the
keyboard,
the
number
of
notes
(polyphony)
available
for
keyboard
play
is
reduced.
Also
note
that
some
of
the
tones
offer
only
12-note
polyphony.
e
When
rhythm
or
auto
accompaniment
is
playing,
the
number
of
sounds
simultaneously
played
is
reduced.
m
Touch
Response
Touch
Response
makes
it
possible
for
the
keyboard
to
match
the
power
of
the
note
produced
with
the
amount
of
pressure
you
use
to
press
the
keyboard
keys.
Note
that
beginners
or
those
with
insufficient
strength
in
their
fingers
can
use
the
procedure
to
switch
Touch
Response
off.
To
switch
Touch
Response
on
and
off
Press
the
TOUCH
RESPONSE
button
to
switch
Touch
Response
on
and
off.
¢
When
Touch
Response
is
switched
off,
the
notes
produced
by
the
keyboard
are
not
affected
by
the
keyboard
pressure.
¢
Touch
Response
is
on
when
the
TOUCH
RESPONSE
indicator
is
lit.
¢
Touch
Response
is
activated
when
the
power
of
the
unit
is
switched
on.
¢
Touch
Response
is
not
applied
to
the
accompaniment
keyboard
when
you
are
using
auto-accompaniment
(page
E-27).
It
is,
how-
ever,
applied
to
the
melody
keyboard.
mM
To
franspose
the
keyboard
The
use
of
this
function
enables
all
sounds
on
the
keyboard
of
this
instrument
to
be
raised
or
lowered
by
one-half
step
at
a
time.
For
example,
there
may
be
times
when
playing
the
accompaniment
to
a
song
when
the
pitch
of
that
accompani-
ment
may
be
too
high
or
low
for
the
voice
of
the
person
singing
the
song.
When
this
happens,
this
function
enables
you
simply
transpose
the
song
either
up
or
down
while
still
playing
the
same
notes
(without
changing
finger
positions).
1.
Press
the
TRANSPOSE/TUNE/MIDI
button
until
the
message
appears
on
the
display.
"Nor
¢
Each
press
of
the
TRANSPOSE/TUNE/MIDI
O
button
changes
the
display
contents
in
the
t
rer
following
sequence.
*
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a
tgs
<<.
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.

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Casio CTK-530 Specifications

General IconGeneral
BrandCasio
ModelCTK-530
CategoryElectronic Keyboard
LanguageEnglish

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