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emanating from a performance are reproduced, i.e. sound waves
bounced from the walls, floor and ceiling of the venue, attenuated in
amplitude and displaced in time, can be resolved in space by two
stereo channels. If a reference system can slice time “thinly enough”,
and have excellent low-level resolving power, one can experience
many such bounces off surfaces; all displaced correctly in time,
ultimately defining the soundstage and ambience of the venue.
Low Harmonic and Intermodulation Distortion: The greatest sound
pressure peaks should create almost no distortion whatever. Many
loudspeakers begin to experience signal compression at loud levels.
When this happens, music becomes distorted as sounds compress.
Reference systems cannot exhibit these symptoms. Just as live music
sounds relaxed at the loudest levels, so must the reference system.
Emotion and Intent: The hardest area to define is the human feelings
of emotion and intent. The reference loudspeaker must be able to
convey the emotions the musicians felt and their intents when they
performed the piece of music. Happy music must be reproduced as
happy, solemn pieces must be solemn. We have devised no way to
measure the ability of the loudspeaker to convey emotion and intent,
and it boils down to the art of the loudspeaker design to achieve this.
The net result is that the G1.2 can play all music equally well, from
rock to rap, from blues through classical and jazz to zydeco, from a
solo vocalist to a big band. As a reference system, there should be no
music that is out of bounds.
Please read this Owners Manual and Set-up Guide to get the
maximum enjoyment out of your purchase. Also, if you have access to
the internet, please check back at our website often. The address is
www.genesisloudspeakers.com. We will post the latest updates, tips &
tricks and support for our customers. If you have any questions,
please call, and we will be glad to answer to the best of our ability.
Most of all enjoy your music!
Best Regards
Gary L Koh,
President and CEO
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