9
FRONT PANEL OVERVIEW
1. MIC INPUT – Connect a 1/4” inch microphone to this input.
2. MIC GAIN – This knob adjusts the level of the microphone signal.
3. MIC TONE – This knob can be used to adjust the tone of the microphone signal. Turning the knob
toward “High” will accentuate the high frequencies of the microphone signal and produce a brighter
sound. Turning the knob toward “Low” will accentuate the low frequencies of the microphone signal
and result in a sound with more bass frequencies.
4. MIC – This switch turns the microphone signal on and off.
5. CF SLOPE – This switch can be used to adjust the slope of the crossfader’s transition curve.
Flipping the switch up results in a sharper curve, allowing you to use the crossfader for quick
transitions and scratching. Flipping the switch down will result in a smoother curve, allowing you to
use the fader for slower transitions. Experiment with the two different settings to find out which one
works best for you.
6. CUE MIX – Controls the relative loudness of each deck in the Cue channel. If the knob is all the
way down (A), you will only hear the audio playing on deck A, while if the knob is all the way up (B)
you will only hear the audio playing on deck B. If the knob is in the middle position, you will hear the
audio from both decks A and B.
7. CUE MODE – This switch is used to alternate between auditioning the Pre Fader Levels (PFL) of
decks A and B, or the Program (PGM) in the Cue channel.
8. CUE TONE – This knob adjusts the tone of the headphone output without affecting any other output.
9. CUE GAIN – You can use this knob to adjust the level of the audio signal in the headphones.
10. HEADPHONES (1/8”) – Connect your 1/8” headphones to this output to hear the Cue channel.
11. HEADPHONES (1/4”) – Connect your 1/4” headphones to this output to hear the Cue channel.
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