PAGE 3
FRONT VIEW: MARK VII
REAR VIEW: MARK VII
FX LOOP
SPEAKERS
8 OHM 4 OHM
8 OHM 4 OHM
USE WITH TWO 16Ω CABS
USE WITH TWO 8Ω CABS
CH1
C
H
1
C
H
2
C
H
3
CH3
FX
0/FS
REV
0/FS
CH2
FS
REVERB
REVERB
80Hz 240 750 2200 6600
GAIN MASTER PRESENCE
TREBLE MID BASS
EQ
ON
FX
ON
REV
ON
CLIP
CLEAN
CRUNCH
0/FS
90W
4
5
F
A
T
25W
EQ
GAIN MASTER PRESENCE
TREBLE MID BASS
FAT
MKVII
0/FS
90W
4
5
C
R
U
N
C
H
25W
EQ
GAIN MASTER PRESENCE
TREBLE MID BASS
MKIIB
MKIV
0/FS
90W
4
5
IIC
25W
EQ
120 V~
60 Hz
4 A
AMPLIFIER
44YV
MESA
FT SW
MIDI
THRU/OUT
MIDI
IN
MIDI
CHAN
STORE
BIAS
EL34
6L6
LIFT
GND
USBDIRECT OUTHEADPHONELINE OUT
(DRY)
INPUT OUTPUT
CH3
FUSE
FUSE
4 A
SLO
BLO
POWER
CH2 CH1
WARNING:
Replace fuse with same type/rating only.
Do not expose to rain or moisture.
CAUTION:
Risk of Electric Shock. Do Not Open.
No user serviceable parts inside.
MARK SEVEN
™
VACUUM TUBE AMPLIFIER
SIMUL-CLASS
™
POWER
SIMUL-SEVEN
™
PATENTED 7,602,927 AND 9,917,560
HAND-WIRED IN PETALUMA, CALIFORNIA, USA
8
2
1
3
4 5
6
7
8
2
1
3
4 5
6
7
8
2
1
3
4 5
6
7
CAB SELECT
SEND
RETURN
CABCLONE
™
IR
TUBE GUIDE
5 x 12AX7
4 x 6L6
INTERNAL LOAD ACTIVE WHEN SPEAKER DISCONNECTED
CAUTION:
Bias setting must
match tubes in use
WARNING:
Unplug power
before replacing
fuse or removing
bolts mounting
chassis
INPUT
POWER
I
O
I
O
STANDBY
0
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F
FX LOOP
SPEAKERS
8 OHM 4 OHM
8 OHM 4 OHM
USE WITH TWO 16Ω CABS
USE WITH TWO 8Ω CABS
CH1
C
H
1
C
H
2
C
H
3
CH3
FX
0/FS
REV
0/FS
CH2
FS
REVERB
REVERB
80Hz 240 750 2200 6600
GAIN MASTER PRESENCE
TREBLE MID BASS
EQ
ON
FX
ON
REV
ON
CLIP
CLEAN
CRUNCH
0/FS
90W
4
5
F
A
T
25W
EQ
GAIN MASTER PRESENCE
TREBLE MID BASS
FAT
MKVII
0/FS
90W
4
5
C
R
U
N
C
H
25W
EQ
GAIN MASTER PRESENCE
TREBLE MID BASS
MKIIB
MKIV
0/FS
90W
4
5
IIC
25W
EQ
120 V~
60 Hz
4 A
AMPLIFIER
44YV
MESA
FT SW
MIDI
THRU/OUT
MIDI
IN
MIDI
CHAN
STORE
BIAS
EL34
6L6
LIFT
GND
USBDIRECT OUTHEADPHONE
LINE OUT
(DRY)
INPUT OUTPUT
CH3
FUSE
FUSE
4 A
SLO
BLO
POWER
CH2 CH1
WARNING:
Replace fuse with same type/rating only.
Do not expose to rain or moisture.
CAUTION:
Risk of Electric Shock. Do Not Open.
No user serviceable parts inside.
MARK SEVEN
™
VACUUM TUBE AMPLIFIER
SIMUL-CLASS
™
POWER
SIMUL-SEVEN
™
PATENTED 7,602,927 AND 9,917,560
HAND-WIRED IN PETALUMA, CALIFORNIA, USA
8
2
1
3
4 5
6
7
8
2
1
3
4 5
6
7
8
2
1
3
4 5
6
7
CAB SELECT
SEND
RETURN
CABCLONE
™
IR
TUBE GUIDE
5 x 12AX7
4 x 6L6
INTERNAL LOAD ACTIVE WHEN SPEAKER DISCONNECTED
CAUTION:
Bias setting must
match tubes in use
WARNING:
Unplug power
before replacing
fuse or removing
bolts mounting
chassis
0
1
2
3
4
5
6
7
8
9
A
B
C
D
E
F
Operating Instructions
OVERVIEW
Congratulations on your choice of the MARK VII, and Welcome to the MESA/Boogie Family!
The amplifier you have chosen traces its roots back to the pivotal moment in the dawn of the ‘70s when Randall
Smith happened upon the Holy Grail for electric guitar and created the first tube preamp with cascading gain
stages. This landmark discovery gave birth to high gain and, ultimately, the sound of modern guitar.
With this invention, for the first time ever, sustain (created by tube overdrive) was separated from power sec-
tion loudness, and a new solo voice with sustain like a horn was unveiled that could be used at any volume.
Before that, blues and rock guitarists had to turn their amplifiers all the way up to nearly full volume to achieve
the sustain they sought. This new development would set guitarists free from that limitation and usher in not
only a new era of amp performance but also a new era of music reshaped by this game-changing circuitry.
More than fifty years and countless iconic recordings later, the impact of those original Mark 1 Boogies and
subsequent Mark models that followed and spawned nearly all now-commonplace modern guitar amp features
have had more than their share of influence on popular music. Starting with Channel Switching and Performance
Modes on the MARK II-A, B, C, MARK IIIs, and IV, up through the MARK FIVE with fully independent Channels
and Multi-Watt™ Channel Assignable Power, each propelled the sound of guitar and popular music forward in
their own time and way.
Now the culmination of all that innovation resides in your new amplifier, the MARK VII. More packed with fea-
tures and Tone than even the milestone MARK FIVE, the MARK VII retains the best sounds of all these iconic
amplifiers and adds a new one. From the model we leapfrogged – the MARK SIX – which provided a good
working platform and proving ground, but ultimately, we’d surpassed, it was clear we had a MARK worth skip-
ping a generational moniker for.
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