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Roland TD-12 User Manual

Roland TD-12
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46
Chapter 5. Trigger Settings [TRIGGER]
Curve:
LOG1, LOG2
Compared to LINEAR, a soft playing produces a greater
change.
fig.VeloC-LOG.e
Curve:
SPLINE
Extreme changes are made in response to playing dynamics.
fig.VeloC-SPLINE.e
Curve:
LOUD1, LOUD2
Very little dynamic response, making it easy to maintain
strong volume levels. If using drum triggers, these settings
help maintain stable levels.
fig.VeloC-LOUD.e
1.
Press [TRIGGER] - [F3 (HI-HAT)].
[TRIGGER] lights, and the “TRIGGER HIHAT” screen
appears.
fig.05-TrigHH_70
2.
Use [CURSOR (up/down)] to select the
parameter.
3.
Use [+/-] or [VALUE] to adjust the setting.
4.
When you’re finished, press [EXIT] to return to
the “DRUM KIT” screen.
*1: When you control the pitch by Hi-Hat Pedal (p. 38), the
pitch can be changed smoothly if you set “High.”
Volume Volume
Striking Force
LOG2LOG1
Volume
Striking Force
SPLINE
Volume Volume
Striking Force
LOUD2LOUD1
Hi-Hat Settings [F3 (HI-HAT)]
Parameter Value Description
Hi-Hat Ctrl
Type
VH12,
VH11/FD
Used Hi-Hat Controller
VH12:
VH-12
VH11/FD:
VH-11, FD-8
When HH Ctrl Type is set to “VH12”
Offset -100– +100 Extent of Opening Hi-Hat
The bigger the value is,
the wider the opening
extent is.
After setting the auto-
matic adjustment (p. 48),
make fine adjustments
until you achieve the set-
tings you like.
Foot Splash
Sens
-10– +10 Amount of how easy to
make the Foot Splash
Noise Cancel 1–3 Amount of strength to can-
cel the bow and edge noise
when you play “Foot
Close.”
The bigger the value is,
the more difficult to
have a noise excluding
the “Foot Close.”
When HH Ctrl Type is set to “VH11/FD”
Foot Splash
Sens
-10– +10 Amount of how easy to
make the Foot Splash
CC Max 90, 127 Amount of Control
Change that is transmitted
in stepping the pedal down
completely.
CC
Resolution
NORMAL,
HIGH
Amount of Data Resolu-
tion that is transmitted
from Hi-Hat Pedal. (*1)
TD-12_e.book 46 ページ 2007年8月8日 水曜日 午後1時20分

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Roland TD-12 Specifications

General IconGeneral
BrandRoland
ModelTD-12
CategoryDrums
LanguageEnglish

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