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Roland EM-50 User Manual

Roland EM-50
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8.
Using
the
Recorder
EM-50/30
Your
EM-50/30
comes
with
a
2-track
Recorder
you
can
use
for
recording
your
own
songs.
Feel
free
to
use
the
Arranger
to
add
an
accompaniment
to
the
melodies
you
record.
This
functionality
is
actually
the
main
reason
why
the
Recorder
provides
two
tracks:
the
first
is
used
to
record
the
accompaniment,
while
track
2
(or
2nd
Track
as
it
is
called)
allows
you
to
record
the
melody,
etc.,
using
the
Realtime
parts
(Upper
1/2,
Lower,
M.Bass).
Note:
The
2nd
TRACK
function
is
only
available
for
Songs
you
record
yourself
not
for
songs
you
load
from
disk
(EM-50).
A
word
about
the
sound
source
The
EM-50/30's
sound
source
is
24-voice
polyphonic,
which
means
that
it
can
sound
a
maximum
of
24
notes
simultaneously.
Some
Tones,
however,
use
two
tone
generators
("voices")
per
note,
so
that
there
may
be
situations
where
you
won't
be
able
to
play
24
notes
at
the
same
time.
In
most
instances,
polyphony
will
be
no
problem,
but
do
keep
in
mind
that
you
should
not
“over-arrange”
your
songs
to
ensure
that
all
notes
can
be
played
back
as
expected.
8.1
Deleting
the
song
in
the
internal
memory
There
is
no
real
function
for
deleting
the
song
in
the
internal
memory.
You
can,
however,
achieve
the
same
result
by
pressing
the
[REC]
button
once
or
twice
until
the
Lue
|
icon
is
displayed.
As
soon
as
you
start
recording,
the
old
song
will
be
overwritten
and
replaced
by
your
new
data.
8.2
Recording
your
own
Songs
The
EM-50/30's
Recorder
is
surprisingly
flexible.
You
can:
*
Record
with
Arranger
backing
(see
"Recording
with
Arranger
backing").
*
Record
an
organ
piece
with
different
sounds
for
the
left
and
right
hands
(see
"Recording
piano
music"
on
page
31).
If
you
like,
you
can
even
add
a
drum
accom-
paniment
(just
like
in
Organ
mode).
*
Record
piano,
etc.,
music
using
one
Tone
in
Whole
Upper
mode
(see
page
32).
*
Replace
your
solo/melody
with
a
better
version
(see
"Second
recording
pass"
on
page
30).
*
Record
your
own
drum/percussion
part
(either
with
or
without
the
Arranger's
drum
part
as
rhythmic
backing),
and
then
add
a
melody
to
it
(see
page
32).
Recording
with
Arranger
backing
This
is
probably
what
you
will
do
most
of
the
time:
leave
the
accompaniment
to
the
Arranger
and
add
the
melody
in
realtime.
If
you
like,
you
can
first
record
the
Arranger
parts
(and
concentrate
on
the
chord
changes),
and
then
add
the
melody,
etc.,
during
a
sec-
ond
pass
(see
below).
First
recording
pass
Parts
you
can
record
during
your
first
"session"
TRACK
B
(can
be
overwritten)
TRACK
A
(“one-shot”)
Upper1
-and/or—
Upper2
—or-
M.
Drums
All
Arranger
parts
By
selecting
Le],
you
can
record
the
Arranger
parts
as
well
as
the
Upper
1
and
2
parts
the
first
time
around.
The
Arranger
parts
reside
on
a
track
we
shall
call
“A”,
while
the
Upper
part(s)
will
be
recorded
onto
track
“B”.
Track
"B"
parts
can
be
overwritten
using
the
2nd
TRACK
function
(see
page
30).
You
may
consider
it
your
“second
chance”,
which
is
only
available
for
the
most
difficult
parts:
the
ones
you
need
to
play
in
real-
time.
Note:
It
is
not
possible
to
add
the
Arranger
backing
with-
out
overwriting
the
entire
song,
so
be
sure
to
record
it
the
first
time
around.
29
HSITONG

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Roland EM-50 Specifications

General IconGeneral
BrandRoland
ModelEM-50
CategoryElectronic Keyboard
LanguageEnglish

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