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Casio Celviano AP-65R User Manual

Casio Celviano AP-65R
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ae
sata
cra
t
-
4
Oaedded
BOB
bel
becaeed
‘as
oP
OOS
ws
START/STOP
One-time
Only
Settings
Tempo
Only
one
tempo
setting
can
be
made
at
the
hegirning
of
the
record-
ing,
Tempo
cannot
be
changed
while
cecording
is
in
progress.
Mixer
(CH1
to
CH16)
Mixer
settings
can
be
made
at
the
beginning
of
the
rerording
only,
but
they
can
be
changed
after
the
recording
is
complete.
The
Mixer
settings
in
effect
when
you
enter
recore
standby
are
the
ones
that
are
recorded.
Song
Sequencer
Memory
Capacity
Memary
Capacity:
4,900
nates
Available
notes
can
alj
be
used
for
a
single
song,
or
divided
between
two
songs.
*+
The
measure
number
(item
12
on
page
E-14)
and
beat
mumber
(item
11
on
page
E-14)
flashing
on
the
display
during
recording
indi-
cates
that
memory
is
almos¢
full
(space
for
about
100
notes
or
less
remaining).
*
Recording
stops
automatically
as
scon
as
memory
becomes
full
Auto
Accompaniment
and
chythm
pattern
play
aise
stops
at
this,
time
if
you
are
using
theny,
Song
Sequencer
Memory
Precautions
Note
the
following
important
points
about
data
stored
in
Song
Se-
quencer
Memory.
*
Recording
to
a
track
that
already
contains
data
replaces
the
previ-
ous
recording
with
the
new
one.
+
The
piano
cones
with
#
Luilt-in
lithium
battery
that
supplies
pow-
er
ta
the
memory
to
retain
Song
Sequencer
memory
data.
[f
this
lithium
battery
goes
dead,
merrary
contents
are
deleted
any
time
piano
power
is
turned
off.
The
normal
life
af
the
original
battery
is
five
years
from
the
time
it
is
loaded
at
the
factory.
It
is
up
to
you
to
contact
your
nearest
CASIO
service
provider
aoout
having
the
lith-
ium
battery
replaced
periodically.
Note
that
the
cost
for
baztery
replacement
will
be
charged
ta
you.
+
Turning
off
the
piana
while
a
record
operation
is
in
progress
caus-
es
any
data
partially
recorded
to
a
track
to
be
deleted.
*
Song
Sequencer
memory
contents
can
be
sent
to
a
computer
or
other
external
device
as
MID}
data
for
storage.
See
“Bulk
Sending
Piano
Data”
on
page
E-76
for
details,
+
With
the
piano,
you
can
also
store
Song
Sequencer
memory
data
on
a
Hoppy
diskette.
See
“Using
the
Floppy
Disk
Drive”
cn
page
E-63
for
details.
E-44
t
r
'
Song
Sequencer
Modes
‘The
song
sequencer
has
two
modes.
a
Record
/Playback
Mode
for
real-time
recording,
punch-in
recording,
and
song
playback,
anda
Global
Mace.
The
following
illustration
shows
how
each
of
these
modes
is
indicated.
Song
Sequencer
Of
Unit
|
‘+
The
indicator
lamp
above
the
SONG
button
is
off
when
the
Soag
Sequencer
is
turned
off.
+
Pressing
the
SONG
button
once
turns
on
the
Song
Sequencer
and
enters
the
Record/Playback
Mode.
The
indicator
lamp
above
the
SONG
button
turns
on
at
this
time.
*
Pressing
the
SONG
button
again
changes
to
the
Global
Mode,
which
causes
the
indicator
lamp
above
the
SONG
button
to
flash.
«
Pressing
the
SONG
button
exits
the
Global
Mode
+
Pressing
the
ENTER
button
in
the
Global
Made
returrs
to
the
Record/Playback
Mode.
Cena
ee
Beos-e-008
Real-time
Recording
‘Note
that
the
procedure
you
use
for
Track
1
is
different
from
that
for
Tracks
2
through
6.
PREPARATION
+
Determina
the
tones
and
mythms
(if
any)
that
you
want
to
use.
+
Use
the
MODE
bution
te
select
ine
Auto
Accompaniment
mode
you
want
to
start
recording
with.
If
you
do
rot
want
fo
start
with
Auto
Accompani-
ment,
select
OFF
+
Set
the
tempo
that
you
want
to
use
duting
recording
#NOTESE
+
You
can
change
the
tone
and
rrythr:
while
cecurdig
is
n
progress.
Any
changes
you
make
become
part
of
the
racorded
data.
»
The
tempo
you
use
for
recording
doas
not
atfec:
the
Lempo
ol
the
play-
back.
This
means
you
can
record
at
a
vary
slow
lempo
for
eaey
play,
and
then
speed
up
the
tempo
for
playback.
+
Ifyou
are
Using
a
rhythm
pattern,
notes
are
recorded
using
:he
meter
time)
of
the
rhythm
pattern.
It
you
are
not
using
a
rietm
pattern,
you
must
set
tha
meter
yourself
using
the
procecure
under
“Meter
(J)"
on
page
€-51
«The
following
procedure
shows
the
“Tost
basic
operations
for
real-time
recording
to
Track
1.
For
olher
variat
ons,
see
“Track
1
Fisal-time
A
cording
Variations”
on
this
page.
To
use
real-time
recording
in
Track
1
1,
Press
the
SONG
button
once.
‘+
This
causes
the
indicator
lamp
above
the
SONG
button
to
light
2.
select
the
user
song
area
to
which
you
want
to
record.
*
Use
the
[+]
and
|-]
buttons
to
select
tiser
Song
Area
0
(SCO)
or
User
Song
Area
1
(SG1).
560
TUNE
+
Change
Mixer
sethngs
(CH)
if
you
want
The
Mixer
settings
you
make
for
CHI
are
copied
to
Track
1
during
recocding.
+
Use
Mixer
Ci
to
select
«
tone.
See
"Selecting
a
Mixer
Tone”
on
page
E
36
for
more
details.
3.
Press
the
RECORD
button
to
enter
record
standby.
+
The
REC
indicator
and
the
frame
atound
the
CHL}
(Track
1)
Hashes
on
the
display.
568
TUNE
1
|8Fi20
+
Track
1
(CH11}
is
automatically
selected
as
the
recard
track
whenever
you
enter
record
standby.
+
CH
11
through
CH
16 of
the
level
meter
show
which
tracks
already
contain
recorded
data.
See
“Level
Meter
During
Record
Operations”
on
page
E-48
for
details
on
how
to
read
the
level
meter.
4.
Make
any
tone,
shythm,
or
accompaniment
mode
set-
ting
you
want.
+
Kye
+
Accompaniment
mode
a
Ena
5.
Press
the
START/STOP
button
to
start
recording.
*
At
this
time
the
REC
indicator
and
the
frame
around
the
chan-
ne]
number
that
coreesponds
fo
the
selected
track
stop
flash
ing
+
The
metronome
normal!y
sounds
during
recording.
fF
you
want
to
turn
off
the
metronome,
use
the
procedure
under
“Metronome
Setting
(@\”
on
page
E-50.
&.
Play
the
notes
you
want
to
recard
on
the
keyboard.
*
Chords
played
on
the
accompaniment
keyboard
in
accor
dance
with
the
accompaniment
method
selec:ed
with
the
MODE
button
are
also
recorded
in
Irark
1
*
Pedal
operations
arse
also
recorded.
See
“Real-time
Record-
ing-Alll
Tracks”
on
page
E-43
for
details
.
+
After
you
are
finished
playing,
press
the
START/STOP
button
again
to
stop
recording.
+
The
REC
indicator
clears
from
the
display
when
revording
is
stopped.
*
Pressing
the
START/STOP
button
again
at
this
point
plays
back
the
song
that
you
just
finished
rerording
See
“Playing
Back
from
Song
Sequencer
Memory”
on
page
E-49
for
de-
tails
on
song
playback.
SNOTESS
+
Real-time
recording
ta
a
track
that
already
contains
data
replaces
the
Previous
recording
with
the
new
one.
+
Hyou
make
a
mistake
while
recording,
you
can
either
record
aver
again
from
step
1,
or
you
can
use
punch-in
recording
(page
E-48)
to
correct
them.
+
Myou
change
the
rhythrr
patter
part
way
through
real-time
recording,
tha
meter
value
indicated
on
the
display
remains
unchanged,
aven
It
the
new
chythm
has
a
dilferent
meter
*
Changing
the
Mixer
settings
of
a
track
that
is
already
cacurded
ard
then
recording
to
anothar
track
causes
the
changad
Mixer
seltings
of
the
prewcusly
recorded
track
lo
ba
replaced
with
the
new
settings.
You
can
use
this
technique
to
change
Mixer
settings
of
tracks
that
are
already
recorded.
Track
1
Real-time
Recording
Variations
The
following
descnbes
a
number
of
different
variations
you
can
use
when
recording
to
Track
1
using
real-time
recording,
All
of
these
vari-
atiors
are
based
upon
the
procedure
described
under
“To
use
real=
time
recording
in
Track
1"
on
this
page.
@
To
record
without
rhythm
Skip
step
5.
Real-time
recording
without
a
rhythm
starts
when
you
press
a
keyboard
key.
©
To
start
recording
with
synchro
start
Inplace
of
step
5,
press
the
SYNCHRO/ENDING
button.
Auto-accom
paniment
and
recording
will
both
start
when
you
play
a
chord
on
the
accompaniment
keyboaed
@
To
record
using
an
intro,
ending,
or
fill-in
During
recording.
the
INTRO,
SYNCHRO/ENDING,
NORMAL/
FILL-IN,
and
VARIATION
/FILL-IN
buttons
(page
E-28
to
29)
can
all
be
used
tv
perform
their
normal
operation.
@
To
synchro
start
Auto
Accompaniment
with
an
intro
pattern
In
place
of
step
5,
press
the
SYNCHRO/ENDING
button
end
then
the
INTRO
button.
Aulo
Accompaniment
will
stact
with
the
intro
pattern
when
you
play
a
chard
on
the
accompaniment
keyboard.
E-45

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Casio Celviano AP-65R Specifications

General IconGeneral
BrandCasio
ModelCelviano AP-65R
CategoryMusical Instrument
LanguageEnglish

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