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6
The Shooting Menus
FILM SIMULATION
Simulate the e ects of di erent kinds of lm, including black-
and-white (with or without color lters). Choose a palette ac-
cording to your subject and creative intent.
Option
Description
c PROVIA/STANDARD
Standard color reproduction. Suited to a wide range of
subjects, from portraits to landscapes.
d Velvia/VIVID
A high-contrast palette of saturated colors, suited to na-
ture photos.
e ASTIA/SOFT
Enhances the range of hues available for skin tones in por-
traits while preserving the bright blues of daylight skies.
Recommended for outdoor portrait photography.
i CLASSIC CHROME
Soft color and enhanced shadow contrast for a calm look.
g PRO Neg. Hi
Off ers slightly more contrast than h PRO Neg. Std.
Recommended for outdoor portrait photography.
h PRO Neg. Std
A soft-toned palette. The range of hues available for skin
tones is enhanced, making this a good choice for studio
portrait photography.
X ETERNA/CINEMA
Film movies using a palette that features subdued colors
and deep shadows.
a ACROS
*
Take black-and-white photos with rich gradation and out-
standing sharpness.
b MONOCHROME
*
Take pictures in standard black and white.
f SEPIA
Take pictures in sepia.
* Available with yellow (Ye), red (R), and green (G) fi lters, which deepen shades of
gray corresponding to hues complementary to the selected color. The yellow (Ye)
fi lter deepens purples and blues and the red (R) fi lter blues and greens. The green
(G) fi lter deepens reds and browns, including skin tones, making it a good choice
for portraits.
N
•
Film simulation options can be combined with tone and sharpness
settings.
•
Film simulation settings can also be accessed via shortcuts (P 222).
•
For more information, visit: http://fujifilm-x.com/en/x-stories/the-world-of-
film-simulation-episode-1/
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General
Weight and Dimensions
