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ALLEN & HEATH DL1000 - FX2 Effects

ALLEN & HEATH DL1000
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




These are the reverb and combined echo+reverb
effects usually applied to add ‘life’ to vocals and solo
instruments.
Reverb (reverberation) simulates the acoustic echo
and reflections typical of a large performance
environment. These are known as ‘system effects’ as
the processed (wet) reverb and echo signal is added
to the direct (dry) signal.
Use the pre-delay

parameter to set the time
before the first reflections are heard. Use longer
delay for larger environments. Use the diffusion

parameter to adjust the ‘thickness’ of the reverb. Use
the damping

parameter to adjust the relative
decay time of the high frequency content. Use less
damping for brighter sounding reverbs. Set the decay

parameter to adjust the time it takes for the
reverb to die away. Use longer times for larger
environments. For the multi effects the

and

parameters affect the echo, and the

and

parameters affect the reverb.
 parameter 1 parameter 2 parameter 3 parameter 4
1-2
3-4
5-8
9-12
13-14
15-16
17-18
19-20
21-22
23-24
%)  
*'  
' $&
# $&
#'  
#'#  
'  
)  
+ )  
%'(  
Simulates the stage environment, good for vocals
Simulates the recording studio environment
Simulates the acoustics of various sizes of room
Simulates the concert hall environment
Simulates a large room with a high ceiling
Simulates the hard surface reflections typical of a large church
Simulates a large open performing area
Simulates the artificially created metal plate reverb
Plate reverb well suited to vocals
Simulates the artificially created spring line unit reverb

pre-delay
0 to 172 mS

diffusion
1 to 25

damping
1 to 25

decay
1 to 25
25-26
27-30
31-34
35-36
37-38
39-40
,%)  
,' $&
,# $&
,#'#  
,)  
,%'(  
Echo + stage reverb
Echo + room reverb
Echo + hall reverb
Echo + church reverb
Echo + metal plate reverb
Echo + spring line reverb
These combined effects are ideal for
fattening up the sound as well as adding
depth with a small amount of reverb. A
short echo around 100 to 200mS without
regeneration produces the well known vocal
‘slapback’ effect. Longer echo with
regeneration repeats combined with reverb
is well suited to certain guitar styles.

delay
10 to 300 mS

regeneration
0 to 99 %

damping
1 to 25

decay
1 to 25

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