Allen & Heath 32 XB-14 User Guide
OO 10
-30
-20
-5
0
5
-10
ST2
OO 10
-30
-20
-5
0
5
-10
OO 10
-30
-20
-5
0
5
-10
USB
RTN
-30
-20
-5
5
0
OO
-10
10
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
L
+16
-6
-9
-20
-30
-16
-12
-3
0VU
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONES
AUX
MIX B
EXT
CRM
SPEAKERS
1/2
ST5
USB
AUX+MONO
SEND
RETURN
-30
-20
-5
5
0
OO
-10
10
-15 +15
12kHz
HF
-15 +15
80Hz
LF
ST3
-30
-20
-5
5
0
OO
-10
10
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST1
OO +6
AUX
PRE
LR
PAN
=
SIGNAL
PFL
-30
-20
-5
5
0
OO
-10
10
IN
-15 +15
12kHz
HF
-15 +15
80Hz
LF
ST7
ST3
L/M
R
ST5
L/M
R
L/M
R
L
R
48V
INSERT R
MAIN
ST2
L
R
ST4
L
R
REC OUT
L
R
CRM SPEAKERS
L
R
INSERT
M4
INSERT
M3
100Hz
12kHz
-15
+15
HF
-15
MF
+15
100Hz
12kHz
-15
+15
HF
-15
MF
+15
M1 M2 M3 M4 ST1 ST2 ST3
ST4
PGM
PHANTOM POWER
ALLEN HEATH
LINE LINE
MIC MIC
ST7
ST1
L/M
R
AUX
INSERT L
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-15 +15
80Hz
LF
-15 +15
80Hz
LF
120Hz 4k
200
2k
650
500
1k
3k
120Hz 4k
200
2k
650
500
1k
3k
+16
-6
-9
-20
-30
-16
-12
-3
0VU
+3
+6
+9
T2
PEAK
T1
CUT SPKS
DIM SPKS
TO MICS
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
PFL ENABLE
TO GUEST
INSERT
M2
INSERT
M1
LINE LINE
MIC MIC
100Hz
12kHz
-15
+15
HF
-15
MF
+15
12kHz
-15
+15
HF
-15
MF
+15
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-6-10 63 26
GAIN
MIC
0
LINE
10
0
10
20
30
40
50
-15 +15
80Hz
LF
-15 + 15
80Hz
LF
120Hz 4k
200
2k
650
500
1k
3k
120Hz 4k
200
650
500
1k
3k
100Hz
12kHz
-15
+15
HF
-15 +15
80Hz
LF
CLF OUT
TELCO 1
TEL IN
CLF OUT
TELCO 2
TEL IN
100Hz
12kHz
-15
+15
HF
-15 +15
80Hz
LF
TALKTALK
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
CLF SCE
3/4 5/USB
GUEST PHONES 1
GUEST PHONES 2 CRM PHONES
EXT MON IN
L
R
ST1
ST2
ST4
ST3
ST6 (USB)
ST5
0
5
10
15
20
30
40
50
OO
MIN MAX
CRM
TALK
TO GUEST
LR
BAL
=
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
MIX B
BUSBUSBUSBUSBUSBUSBUSBUSBUSBUS
MIX B
POWER
MIX B OUT
L
R
ST6
ST4
MIN MAX
LEVEL
MIX B
PGM MIX
FADER
AUX AUX AUX AUX AUX AUX AUX AUX AUX
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
USB SOURCE SELECT
CRM+PHONES
SELECTION
MIX BMIX BMIX BMIX BMIX BMIX BMIX BMIX BMIX B
PGM MIX
USB
PHONES
MIN MAX
GUEST
GUEST PHONES
SELECTION
PGM
AUX
CLF SCE
PGM
AUX
MIC FADER UP
=CUT SPKS
+START/CUE +START/CUE +START/CUE +START/CUE
REM MUTE REM MUTE REM MUTE REM MUTE
MONO
OUT
100Hz
IN
MON
OUT
&
-1O
26
-5
5
10
20
0
-1O
26
-5
5
10
20
0
GAIN GAIN
M1 M2 M3 M4 T1 T2
PGM
CD
APPLICATION TIPS: OFF-AIR CALL RECORDING
This diagram shows the basic mixer setup using the Aux bus to
record an interview with a telephone caller off-air, whilst playing
music through stereo channel ST1. The interview could be re-
corded from the Aux out or via the USB port as shown here.
Notes:
Keep the off-air channel
faders down.
Turn up the Aux sends on
the channels for the off-
air recording. Ensure they
are Pre fade.
Switch the CLF source for
the caller to Aux.
Select Aux+Mono to USB
if recording to computer.
Just record the Aux chan-
nel.
The producer can monitor
either the live program or
the off-air interview using
the CRM selection
switches.
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