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SPECIFICATIONS
SYNTHESIZER TYPE: Polyphonic, Tri-timbral Analog Synthesizer
SOUND ENGINE: Analog (Digital Effects can be bypassed to maintain 100% analog signal path)
POLYPHONY: 8 or 16 voices
KEYBED: 61 full-size keys with Velocity and Aftertouch (Fatar TP-8S)
CONTROLLERS: Pitch Wheel, Modulation Wheel, X/Y Pad (with pressure-sensing and hold), Sustain
Pedal input, EXP 1 Pedal input, EXP 2 Pedal input – all pedal functions are assignable
PANEL CONTROLS: 73 knobs and 144 buttons; LCD screen
OSCILLATORS (x3): Selectable Sawtooth wave with variable reset time or Triangle wave with variable
rise and fall times, variable-width Pulse wave, Octave (32’, 16’, 8’, 4’, 2’), Frequency (+/- 7 semitones),
Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selected
Triangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync
RING MODULATOR: Selectable routing (1-2 or 2-3)
DUAL SOURCE NOISE GENERATOR: Selectable sources (Red + White, Red + Purple, and White +
Purple) with Color Mix and dedicated ARS envelope
MIXER: Independent levels and lter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT IN
FILTERS: State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation)
STATE VARIABLE: Two -12dB per octave lters operating as one lter, congurable as NOTCH, BP, LP,
and HP – with -12dB or -24dB slopes; Cutoff, Resonance, etc.
LADDER FILTER: Moog Ladder Filter with HP or LP options, and selectable lter slopes (-6db, -12db,
-18dB, or -24dB); Cutoff, Resonance, etc.
ENVELOPES (x3): Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus
multi-triggering, looping, latching, and sync
LFOS (x4): Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse,
Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count,
phase start, etc.
GLIDE: Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando
ARPEGGIATOR: Per-Synth with octave range, pattern, direction, pendulum features, gate time, sync, etc.
SEQUENCER: 64-step per-Synth sequencer with step-editing and modulation capabilities
SYNTH EFFECTS: Dedicated in-line effect per SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged,
the signal path is 100% analog)
MASTER EFFECTS: Dual monaural sends with stereo return, or single stereo send with stereo return.
(Accessible by all three Synths - Eventide® Reverbs are available on the Master Buss only)
BROWSER: Stores tens of thousands of PRESETS and TIMBRES with denable Categories, Tags and
Labels to aid search results. TIMBRES can be loaded to and played by any Synth
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