MFX/IFX Parameters
53
35 SUSTAINER
By compressing loud input and boosting low input, this effect keeps
the volume consistent to produce a sustain effect without distortion.
L in L out
R outR in
Parameter Value Explanation
Sustain 0–127
Adjusts the range in which a low input
signal is boosted to a consistent volume.
Higher values produce longer sustain.
Attack 0–127 Time until the volume is compressed
Release 0–127 Time until compression is removed
Post Gain -15–+15 [dB] Level of the output sound
Low Gain -15–+15 [dB]
Amount of boost/cut for the low-
frequency range
High Gain -15–+15 [dB]
Amount of boost/cut for the high-
frequency range
Level 0–127 Output Level
36 GATE
Cuts the reverb’s delay according to the volume of the sound
sent into the effect. Use this when you want to create an artificial-
sounding decrease in the reverb’s decay.
L in L out
R outR in
Parameter Value Explanation
Threshold 0–127
Volume level at which the gate begins
to close
Mode GATE, DUCK
Type of gate
GATE: The gate will close when the
volume of the original sound decreases,
cutting the original sound.
DUCK (Duking): The gate will close
when the volume of the original sound
increases, cutting the original sound.
Attack 0–127
Adjusts the time it takes for the gate to
fully open after being triggered.
Hold 0–127
Adjusts the time it takes for the gate to
start closing after the source sound falls
beneath the Threshold.
Release 0–127
Adjusts the time it takes the gate to fully
close after the hold time.
Balance
D100: 0W–D0:
100W
Volume balance between the direct
sound (D) and the effect sound (W)
Level 0–127 Output Level
37 DELAY
This is a stereo delay.
When Feedback Mode is NORMAL:
R out
L out
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in
R in
When Feedback Mode is CROSS:
R out
L out
Balance W
Balance W
Feedback
Feedback
Balance D
Balance D
L in
R in
Parameter Value Explanation
Dly L Sync
(Delay Left
(sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
& “Tempo” (p. 8)
Dly L Msec
(Delay Left (msec))
1–1300 [msec]
Adjusts the time the left delay sound is
heard.
Dly L Note
(Delay Left (note))
Note
& “Note” (p. 72)
Dly R Sync (Delay
Right (sync switch))
OFF, ON
If this is ON, the rate synchronizes with
the tempo of the rhythm.
& “Tempo” (p. 8)
Dly R Msec
(Delay Right (msec))
1–1300 [msec]
Adjusts the time the right delay sound
is heard.
Dly R Note
(Delay Right (note))
Note
& “Note” (p. 72)
Phase L (Phase Left)
NORMAL, INVERSE
Phase of left and right delay sound
NORMAL: Non-inverted
INVERT: Inverted
Phase R
(Phase Right)
Fbk Mode
(Feedback Mode)
NORMAL, CROSS
Selects the way in which delay sound is
fed back into the effect. (See the figures
above.)
Feedback -98–+98 [%]
Adjusts the proportion of the delay sound
that is fed back into the effect.
Negative (-) settings will invert the phase.
HF Damp
200, 250, 315, 400,
500, 630, 800,
1000, 1250, 1600,
2000, 2500, 3150,
4000, 5000, 6300,
8000, BYPASS [Hz]
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Low Gain -15–+15 [dB]
Amount of boost/cut for the low-
frequency range
High Gain -15–+15 [dB]
Amount of boost/cut for the high-
frequency range
Balance
D100: 0W–D0:
100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
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