57
RP360 / RP360 XP
AMP MODELS
• 62 Bass Man
(Based on a ‘62 Fender
®
for Brownface Bassman)
From the era of the first tolex covered Fender amps, this particular amp was used on the
classic Hendrix song “Voodoo Child”�
• 65 Fraternal
(Based on a ‘65 Fender Blackface Twin Reverb
®
)
The benchmark for twin speaker combos� This great amp is one of the most recognizable clean
tones on recordings from the last 4 decades�
• 65 D-Luxe Reverb
(Based on a ‘65 Fender Blackface Deluxe Reverb
®
)
The single speaker version of its bigger brother, this amp is equally at home for blues, country
and rock players�
• 45 JTM
(Based on a ‘65 Marshall
®
JTM-45)
Perhaps the turning point for blues and rock and roll, this amp set the course for the future of
Marshall amps� It started the “crunch” revolution, turning up on classic songs from AC/DC and,
most notably, the Bluesbreakers “Beano” album featuring Eric Clapton�
• 68 Plexi
(Based on a ‘68 Marshall 100 Watt Super Lead (plexi))
This is undoubtedly the amp that changed rock and roll� It is a benchmark for many of the
greatest guitar sounds ever heard� From Hendrix to Van Halen, this amp is the real deal�
• Jump Panel
(Based on a ‘68 Marshall Jump Panel)
This effect is based on the method used to get the most saturation from the classic plexi – by
jumping channel 1 into channel 2, you get a bit more push over the top�
• Master Volume
(Based on a ‘77 Marshall Master Volume)
This amp was king of rock and roll in the '70s� This JMP 100W amp featured four 6550 output
tubes, making it hot and punchy for rock and punk music alike�
• 800 JCM
(Based on a ‘83 Marshall JCM800)
The amp that defined many of the metal sounds of the '80s is still one of the most highly
respected Marshall amps ever made�
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