UAD Powered Plug-Ins Manual - 341 - Chapter 38: RealVerb Pro
3. Adjust the Band-edge controls for the second and third bands so they are
adjacent to each other. To raise the frequency for the high-shelf, drag to the
right with the Band-edge control for the second band. To lower the fre-
quency for the high-shelf, drag to the left with the Band-edge control for the
third band.
4. To attenuate the frequencies above the shelf frequency, drag the Amplitude
controls for the first and second bands up or down. For a true shelf EQ,
make sure these amplitudes are set to equal values.
To configure the reverb’s Resonance as a low-shelf EQ:
1. Drag the Amplitude control for the second EQ band all the way up.
2. Drag the Amplitude controls for the first and third bands all the way down,
to equal values.
3. Adjust the Band-edge controls for the second and third bands so they are
adjacent to each other. To raise the frequency for the low-shelf, drag to the
right with the Band-edge control for the second band. To lower the fre-
quency for the low-shelf, drag to the left with the Band-edge control for the
third band.
4. To attenuate the frequencies below the shelf frequency, drag the Amplitude
controls for the first and second bands up or down. For a true shelf EQ,
make sure these amplitudes are set to equal values.
Timing
The Timing panel offers control over the timing and relative energies of the
early reflections and late-field reverberations. These elements affect the re-
verb’s perceived clarity and intimacy. The early reflections are displayed at
the top of the Timing panel, with controls for Amplitude and Pre-delay. The
late-field reverberations are displayed at the bottom, with controls for Ampli-
tude, Pre-delay, and Decay Time. To illustrate the relation between both re-
verb components, the shape of the other is represented as an outline in both
sections of the Timing panel (see Figure 110).
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