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Chapter 8 Examples of Applications Using the XV-5050
Chapter 8
MATRIX CTR1–4 (Matrix control 1–4)
This select the parameters to be controlled in the Matrix Control 1–4
Source and the Sens settings, as well as the Tone to which they’re
applied. Up to four parameters can be specified for each controller
and controlled simultaneously.
Ctl1–4 Dest1–4
(Matrix Control 1–4 Destination 1–4)
This chooses the parameters to be controlled.
Ctl1–4 Sens1–4 (Matrix Control 1–4 Sens 1–4)
This adjusts the amount of change that occurs in response to
controller movements. Negative (-) values invert the change. For
example, with LFO Depth, the phase is reversed when a negative
Sens value is chosen. With LFO Rate, setting Sens to a negative value
increases the cycle length, slowing down the LFO, while setting it to
positive value shortens the cycle, speeding it up.
Ctl1–4 Switch1–4
(Matrix Control 1–4 Tone Control Switch 1–4)
This selects the Tone to be controlled using the two previous
parameter settings. “ON” activates the control of a Tone, “OFF” de-
activates it, and “REVERSE” reverses the (+) or (-) nature of the
change being applied.
Applications for Patches
Syncing the LFO Cycle to the System
Tempo
1.
Choose the Patch you wish to synchronize on the PATCH
PLAY screen.
2.
Set the Patch Clock Source parameter (PATCH:COMMON
screen) to SYSTEM.
3.
Set the beat length of the RATE (PATCH:LFO screen) of each
Tone to match the System Tempo.
4.
Set the System Clock Source parameter
(SYSTEM:GENERAL screen) to INT.
* When the System Clock Source parameter is set to MIDI or USB, you
can synchronize the LFO cycle to an external device.
5.
If the System Tempo (SYSTEM:GENERAL screen) changes,
the LFO Rate changes along with it.
6.
Set the modulation depth as desired using LFO Depth
(PATCH:LFO screen) for each Tone.
Synchronizing Multi-Effects to the
System Tempo
You can change Multi-Effects parameter values in time with the
System Tempo when you’ve selected the following values for the
Type MFX parameter.
Here’s an example in which STEP FLANGER is used for the Multi-
Effects.
OFF
No control
PCH
Pitch
PITCH parameters (p. 45)
CUT
Cutoff Frequency TVF parameters (p. 46)
RES
Resonance
LEV
Level
TVA parameters (p. 48)
PAN
DRY
Dry Level
EFFECTS parameters (p. 74)
CHO
Chorus Send
REV
Reverb Send
PIT-LFO1(2)
LFO1(2) Pitch Depth LFO parameters (p. 50)
TVF-LFO1(2)
LFO1(2) TVF Depth
TVA-LFO1(2)
LFO1(2) TVA Depth
PAN-LFO1(2)
LFO1(2) Pan Depth
LFO1(2)-RATE
LFO1(2) Rate
PIT-ATK
Pitch Envelope Attack
Time
PITCH parameters (p. 45)
PIT-DCY
Pitch Envelope Decay
Time
PIT-REL
Pitch Envelope Release
Time
TVF-ATK
TVF Envelope Attack
Time
TVF parameters (p. 46)
TVF-DCY
TVF Envelope Decay
Time
TVF-REL
TVF Envelope Release
Time
TVA-ATK
TVA Envelope Attack
Time
TVA parameters (p. 48)
TVA-DCY
TVA Envelope Decay
Time
TVA-REL
TVA Envelope Release
Time
TMT
COMMON parameters
(p. 41)
FXM
Wave FXM Depth
WAVE parameter (p. 44)
MFX1–4
MFX CTRL1–4 EFFECTS parameters (p. 74)
Type
MFX Parameter
16: STEP FLANGER
Step Rate
19: 3 TAP DELAY Delay C/L/R
20: 4 TAP DELAY Delay 1–4
41: St PHASER Rate, Step Rate
42: KEYSYNC FLG LFO Rate, Step Rate
43: FORMANT FLTR Rate
45: MLT TAP DLY Delay 1–4
46: REVERSE DLY Delay 1–4
47: SHUFFLE DLY Delay
48: 3D DELAY Delay C/L/R
58: SLICER Rate
60: 3D CHORUS LFO Rate
61: 3D FLANGER LFO Rate, Step Rate
62: TREMOLO Rate
63: AUTO PAN Rate
64: St PHASER 2 Rate, Step Rate
65: St AUTO WAH Rate
66: St FORMN FLT Rate
67: MLT TAP DLY2 Delay 1–4
68: REVERSE DLY2 Delay 1–4
69: SHUFFLE DLY2 Delay
70: 3D DELAY 2 Delay C/L/R
71: ROTARY 2 Low Slow/Fast, High Slow/Fast
72: ROTARY MULTI Low Freq Slow/Fast, High Freq Slow/Fast
73: KEYBD MULTI Phaser Rate, Delay Time L/R
74: RHODES MULTI Phaser Rate, Cho/Flg Rate, Tre/Pan Rate
81: GTR MULTI A Delay Time L/R, Cho/Flg Rate
82: GTR MULTI B Cho/Flg Rate
83: GTR MULTI C Wah Rate, Delay Time L/R, Cho/Flg Rate
84: CL GTR MLT A Delay Time L/R, Cho/Flg Rate
85: CL GTR MLT B Wah Rate, Delay Time L/R, Cho/Flg Rate
86: BASS MULTI Cho/Flg Rate
89: 3D AUTO SPIN Speed
XV-5050_e.book 115 ページ ２００３年６月２７日 金曜日 午後３時１４分
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