102
Chapter 4 Using the XV-5050 Effects
note *1:
fig.MFX-note1.e_88
note *2:
fig.MFX-note2.e_88
Chorus Parameters
The XV-5050’s Chorus effect unit can also be used as a stereo delay
unit.
These settings allow you to select chorus or delay, and the
characteristics of the selected effect type.
note:
fig.MFX-note2.e
When Using 3D Effects
The following 3D effects utilize RSS (Roland Sound Space)
technology to create a spaciousness that cannot be produced by
delay, reverb, chorus, etc.
48: 3D DELAY
60: 3D CHORUS
61: 3D FLANGER
70: 3D DELAY 2
89: 3D AUTO SPIN
90: 3D MANUAL
When using these effects, we recommend that you place your
speakers as follows. Also, make sure that the speakers are at a
sufficient distance from the walls on either side.
fig.02-031
If the left and right speakers are too far apart, or if there is too
much reverberation, the full 3D effect may not be realized.
Each of these effects has an “Output Mode” parameter. If the
sound from the OUTPUT jacks is to be heard through speakers,
set this parameter to “SPEAKER.” If the sound is to be heard
through headphones, set it to “PHONES.” This ensures that the
optimal 3D effect is achieved. If this parameter is not set
correctly, the full 3D effect may not be realized.
30˚ 30˚
(Dotted eighth note),(Half-note triplet),
(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note), (Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
(Double note)(Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet),
(Thirty-second note),
(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),
(Dotted eighth note),(Quarter-note triplet),(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
Parameter
Value Description
Type
0 (OFF),
1 (CHORUS),
2 (DELAY),
3 (GM2 CHO-
RUS)
Selects either Chorus or Delay.
0 (OFF):
Neither Chorus or Delay is
used.
1 (CHORUS):
Chorus is used.
2 (DELAY):
Delay is used.
3 (GM2 CHORUS):
GM2 Chorus is
used.
Type: 1 (CHORUS)
Cho Rate
0.05-10.00 Hz
Frequency of modulation
Cho Depth
0-127
Depth of modulation
Cho PreDly
0.0-100.0 ms
Adjusts the time until the chorus is
heard.
Chorus Feedback 0-127
Adjusts the amount of the chorus
sound that’s fed back into the effect.
Cho Filter Type
OFF, LPF,
HPF
Type of filter
OFF:
no filter is used
LPF:
cuts the frequency range above
the Cutoff Freq
HPF:
cuts the frequency range below
the Cutoff Freq
Cho Cutoff 200-8000 Hz
Basic frequency of the filter
Cho Phase
0-180 deg
Spatial spread of the sound
Type: 2 (DELAY)
Delay L
0-1000 ms,
note
Adjusts the time until the delay is
heard.
Delay R
Delay C
Dly Feedback -98-+98 %
Adjusts the amount of the delay sound
that’s fed back into the effect. Negative
(-) settings invert the phase.
Dly HF Damp
200-8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the effect is filtered
out. If you don’t want to filter out any
high frequencies, set this parameter to
BYPASS.
Dly L Level
0-127
Volume of each delay
Dly R Level
Dly C Level
Type: 3 (GM2 CHORUS)
Chorus Level
0-127
Volume of the chorus sound
Chorus Feedback
0-127
Adjusts the amount of the chorus
sound that’s fed back into the effect.
Chorus Pre-LPF
0-7
Cuts the high frequency range of the
sound coming into the chorus.
Higher values cut more high frequen-
cies.
Chorus Delay
0-127
Adjusts the time until the chorus is
heard.
Chorus Rate 0-127
Frequency of modulation
Chorus Depth
0-127
Depth of modulation
Chorus Send to
Rev
0-127
Adjusts the amount of chorus sound
sent to the reverb.
(Double note)(Dotted whole note),
(Dotted half note),
(Dotted thirty-second note),
(Whole note),
(Double-note triplet),
(Sixteenth-note triplet),
(Thirty-second note),
(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),
(Dotted eighth note),(Quarter-note triplet),(Eighth note),
(Half-note triplet),(Quarter note),
(Dotted quarter note),
(Whole-note triplet),
(Half note),
(Sixteenth note),
(Eighth-note triplet),
(Dotted sixteenth note),
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