The Synthesizer
30
The paramters marked with a * can also be influenced
by control-dials or keys on the front panel.
Overview of the Sound-Parameters: Kick, Snare, Hihat, Synth-1, Synth-2, Synth-3:
(An overview of the parameters of the Percussion-Part you can find on page 32)
|1> Wave-Macro*
Octave: )
Tune*
Glide: )
Monophon: )
Pitch-Envelope-Modulation*
not selectable<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
(
(
(
(
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
Key-Tracking: )
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
from LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
not selectable
not selectable
not selectable
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
|1> Wave-Macro*
Octave: )
Tune*
Glide: )
Monophon: )
Pitch-Envelope-Modulation*
not selectable<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
(
(
(
(
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
Key-Tracking: )
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
from LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
not selectable
not selectable
not selectable
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
|1> Wave-Macro*
Octave: )
Tune*
Glide: )
Monophon: )
Pitch-Envelope-Modulation*
not selectable<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
(
(
(
(
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
Key-Tracking: )
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
from LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
not selectable
not selectable
not selectable
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
|1> *
Octave*
une*
Glide*
Monophon
Pitch-Envelope-Modulation*
Wave-Macro
<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
<32>
<33|
Det
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
VCF-Key-Tracking*
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
From LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
Pitch-Bend Range
Holdpedal
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
|1> *
Octave*
une*
Glide*
Monophon
Pitch-Envelope-Modulation*
Wave-Macro
<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
<32>
<33|
Det
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
VCF-Key-Tracking*
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
From LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
Pitch-Bend Range
Holdpedal
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
|1> *
Octave*
une*
Glide*
Monophon
Pitch-Envelope-Modulation*
Wave-Macro
<2>
<3>
<4>
<5>
<6>
<7>
<8>
<9>
<10>
<11>
<12>
<13>
<14>
<15>
<16>
<17>
<18>
<19>
<20>
<22>
<23>
<24>
<25>
<26>
<27>
<28>
<29>
<30>
<31>
<32>
<33|
Det
Pitch-Envelope Attack*
Pitch-Envelope Decay*
VCF-Overdrive*
VCF-Typ:
*
Cutoff-Frequency*
Q-Factor*
VCF-Key-Tracking*
VCF-Dynamic-Modulation*
VCF-Envelope-Modulation*
VCF-Envelope Attack*
VCF-Envelope Decay*
VCF-Envelope Sustain*
VCF-Envelope Release*
VCA-Level*
VCA-Envelope Attack*
VCA-Envelope-Decay*
VCA-Envelope Sustain*
VCA-Envelope Release*
LFO-Wave*
LFO-Rate: *
LFO-Depth*
VCO (Pitch)-Modulation
From LFO*
VCF (Filter)-Modulation
from LFO*
VCA (Amplitude)-Modulation
from LFO*
Pitch-Bend Range
Holdpedal
24 dB-Lowpass,
12 dB-Lowpass, 12 dB-Highpass
can be synchronised
OSCILLA
TORS
OSCILLA
TORS
OSCILLA
TORS
OSCILLA
TORS
OSCILLA
TORS
OSCILLA
TORS
RESONANCE-FIL
TER
RESONANCE-FIL
TER
RESONANCE-FIL
TER
RESONANCE-FIL
TER
RESONANCE-FIL
TER
RESONANCE-FIL
TER
AMPLIFIERAMPLIFIER
AMPLIFIER
AMPLIFIER
AMPLIFIER
AMPLIFIER
LFOLFO
LFO
LFO
LFO
LFO
KICK/BD
SYNTH 1 SYNTH 2 SYNTH 3
SNARE-Drum HIHAT
Edit Sound
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