252 Chapter 30: Input Channels
PRO1 Live Audio System
Operator Manual
In flip mode the appearance of the
Console Overview screen changes to
indicate mix send selection. It does
this by changing the fader section
background colour of the relevant
channels to match the associated
colour of the selected mix send, which
is also shown in text towards the
upper-left corner of the screen
(highlighted right). In the example
display shown right, aux send 5
(yellow) is currently selected.
Channel configuration controls
There are a number of input channel controls that are loosely termed ‘channel
configuration’ controls. These comprise:
• Input channel ID (GUI only): name and identification. Both the name and colour
of the name field are user-configurable. For details, see “Input channel ID (GUI
only)” on page 253.
• Input channel source (GUI only): shows where the input is routed (patched)
from, that is, the physical location the input channel is getting its audio from, and
provides direct access to the Patching screen. For details, see “Input channel
source select (GUI only)” on page 253.
• Gain swap: swaps what the rotary gain is controlling from remote (stage box) gain
to digital trim (console gain), and vice versa. For details, see “Mic amp input gain
(preliminary input processing)” on page 254.
• Stereo linking: links adjacent channel for stereo operation. For details, see “Stereo
linking (GUI only)” on page 253.
• Input channel direct output: routes signal path from a selected point to an I/O.
For details, see “Direct output” on page 258.
• Input channel safes: switches that protect specific controls from being changed by
the automation system. For details, see “Safes” on page 254.
• Gain and filter: mic amp gain and filter controls.
• Inserts: allows configuration of the send and return points when an insert is used.
• Input channel delay (GUI only): user-defined delay to be added to the input
signal processing. For details, see “Input channel delay (GUI only)” on page 253.
• Processing order: selects whether the EQ or the dynamics comes first in an input
channel’s signal path.
Their control is divided between control surface
and the GUI, although some are GUI only. All
of them are in the configuration processing
area, with the exception of the inserts, which
have their own processing area (see Figure 22
“Processing areas available from the input
channel overview display. A. Depends on what
device is connected (for example, DL251 Audio
System I/O or DL451 Modular I/O). B. The
display in this area depends on surround
configuration.” on page 250).
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