102
MFX/IFX Parameters
44 Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
R out
L out
Echo Level
Echo Level
Direct Level
Direct Level
L in
R in
Parameter Value Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads to use
Select from three dierent heads with
dierent delay times.
S: Short
M: Middle
L: Long
Repeat Rate 0–127
Tape speed
Increasing this value will shorten the spacing
of the delayed sounds.
Intensity 0–127 Amount of delay repeats
Bass -15–+15 [dB]
Boost/cut for the lower range of the echo
sound
Treble -15–+15 [dB]
Boost/cut for the upper range of the echo
sound
Head S Pan L64–63R
Independent panning for the short, middle,
and long playback heads
Head M Pan L64–63R
Head L Pan L64–63R
Tape Distortion 0–5
Amount of tape-dependent distortion to be
added
This simulates the slight tonal changes
that can be detected by signal-analysis
equipment. Increasing this value will increase
the distortion.
W/F Rate 0–127
Speed of wow/utter (complex variation in
pitch caused by tape wear and rotational
irregularity)
W/F Depth 0–127 Depth of wow/utter
Echo Level 0–127 Volume of the echo sound
Direct Level 0–127 Volume of the original sound
Level 0–127 Output Level
45 LOFI Compress
Degrades the sound quality.
L in L out
R outR in
Parameter Value Explanation
Pre Filter Type 1, 2, 3, 4, 5, 6
Selects the type of lter applied to the sound
before it passes through the Lo-Fi eect.
1: Compressor o
2–6: Compressor on
LoFi Type 1, 2, 3, 4, 5, 6, 7, 8, 9
Degrades the sound quality. The sound
quality grows poorer as this value is
increased.
Post Filter Type OFF, LPF, HPF
Selects the type of lter applied to the sound
after it passes through the Lo-Fi eect.
OFF: No lter is used.
LPF: Cuts the frequency range above the
Cuto Freq
HPF: Cuts the frequency range below the
Cuto Freq
Parameter Value Explanation
Post Filter Cuto
200, 250, 315, 400,
500, 630, 800, 1000,
1250, 1600, 2000,
2500, 3150, 4000,
5000, 6300, 8000 [Hz]
Basic frequency of the Post Filter
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance D100:0W–D0:100W
Volume balance between the direct sound (D)
and the eect sound (W)
Level 0–127 Output Level
46 Bit Crusher
This creates a lo- sound.
L in L out
R outR in
Parameter Value Explanation
Sample Rate 0–127 Adjusts the sample rate.
Bit Down 0–20 Adjusts the bit depth.
Filter 0–127 Adjusts the lter depth.
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Level 0–127 Output Level
47 Pitch Shifter
A stereo pitch shifter.
R out
L out
L in
Pitch ShifterPitch Shifter
Pitch ShifterPitch Shifter
R in
Parameter Value Explanation
Coarse -24–+12 [semi]
Adjusts the pitch of the pitch shifted sound in
semitone steps.
Fine -100–+100 [cent]
Adjusts the pitch of the pitch shifted sound in
2-cent steps.
Delay Time
(sync sw) OFF, ON
If this is ON, the rate synchronizes with the
tempo of the rhythm.
&
“TEMPO” (p. 52)
Delay Time (msec) 1–1300 [msec]
Adjusts the delay time from the direct sound
until the pitch shifted sound is heard.
Delay Time
(note)
Note
&
“Note” (p. 120)
Feedback -98–+98 [%]
Adjusts the proportion of the pitch shifted
sound that is fed back into the eect.
Negative (-) settings will invert the phase.
Low Gain -15–+15 [dB] Gain of the low range
High Gain -15–+15 [dB] Gain of the high range
Balance D100:0W–D0:100W
Volume balance between the direct sound (D)
and the pitch shifted sound (W)
Level 0–127 Output Level
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General
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