111
MFX/IFX Parameters
64 EPAmpSim
0
Phaser
L in
R in
L out
R out
Resonance
Mix
Parameter Value Explanation
Type
Type of amp
OLDCASE
A standard electric piano sound of the early
70s
NEWCASE
A standard electric piano sound of the late
70s and early 80s
Bass -50–+50 Amount of low-frequency boost/cut
Treble -50–+50 Amount of high-frequency boost/cut
Phaser Switch OFF, ON Phaser on/o
Phaser Rate
(sync sw) OFF, ON
If this is ON, the rate synchronizes with the
tempo of the rhythm.
&
“TEMPO” (p. 52)
Phaser Rate (Hz) 0.05–10.00 [Hz]
Modulation rate
Phaser Rate
(note)
Note
&
“Note” (p. 120)
Phaser Manual 0–127
Center frequency at which the sound is
modulated
Phaser Depth 0–127 Depth of modulation
Phaser Resonance 0–127 Amount of feedback
Phaser Mix 0–127 Level of the phase-shifted sound
Speaker Type
LINE, OLD, NEW,
WURLY, TWIN
Type of speaker
If LINE is selected, the sound will not be sent
through the speaker simulation.
OD Switch OFF, ON Overdrive on/o
OD Gain 0–127 Overdrive input level
OD Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output Level
65 EPAmpSim
0
Delay
L out
R out
Time Ctrl
Delay
Time Ctrl
Delay
Balance W
Feedback
Balance W
Balance D
Balance D
L in
R in
Parameter Value Explanation
Type
Type of amp
OLDCASE
A standard electric piano sound of the early
70s
NEWCASE
A standard electric piano sound of the late
70s and early 80s
Bass -50–+50 Amount of low-frequency boost/cut
Treble -50–+50 Amount of high-frequency boost/cut
Delay Switch OFF, ON Delay on/o
Delay Time
(sync sw) OFF, ON
If this is ON, the rate synchronizes with the
tempo of the rhythm.
&
“TEMPO” (p. 52)
Delay Time (msec) 1–1300 [msec]
Delay time from when the original sound is
heard to when the delay sound is heard
Delay Time
(note)
Note
&
“Note” (p. 120)
Parameter Value Explanation
Delay Accel 0–15
Speed at which the current delay time
changes to the specied delay time when
you change the delay time.
This aects the speed of pitch change as well
as the delay time.
Delay Feedback -98–+98 [%]
Adjusts the proportion of the delay sound
that is fed back into the eect. Negative (-)
settings will invert the phase.
Delay HF Damp
200, 250, 315, 400, 500,
630, 800, 1000, 1250,
1600, 2000, 2500, 3150,
4000, 5000, 6300, 8000,
BYPASS [Hz]
Frequency at which the high-frequency
portion of the delay sound will be cut
(BYPASS: no cut)
Delay Balance D100:0W–D0:100W
Adjusts the volume balance between the
sound that is sent through the delay (W) and
the sound that is not sent through the delay
(D).
Speaker Type
LINE, OLD, NEW,
WURLY, TWIN
Type of speaker
If LINE is selected, the sound will not be sent
through the speaker simulation.
OD Switch OFF, ON Overdrive on/o
OD Gain 0–127 Overdrive input level
OD Drive 0–127
Degree of distortion
Also changes the volume.
Level 0–127 Output Level
66 Enhancer
0
Chorus
L out
R out
Balance D
Balance W
Balance W
Balance DMix
Mix
L in
R in
Parameter Value Explanation
Enhancer Sens 0–127 Sensitivity of the enhancer
Enhancer Mix 0–127
Level of the overtones generated by the
enhancer
Chorus Pre Delay 0.0–100 [msec]
Adjusts the delay time from the direct sound
until the chorus sound is heard.
Chorus Rate
(sync sw) OFF, ON
If this is ON, the rate synchronizes with the tempo
of the rhythm.
&
“TEMPO” (p. 52)
Chorus Rate (Hz) 0.05–10.00 [Hz]
Frequency of modulation
Chorus Rate
(note)
Note
&
“Note” (p. 120)
Chorus Depth 0–127 Depth of modulation
Chorus Balance D100:0W–D0:100W
Adjusts the volume balance between the
sound that is sent through the chorus (W)
and the sound that is not sent through the
chorus (D).
Level 0–127 Output Level
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