TS-12 Musician’s Manual Section 7 — Effect Parameters
9
VCF FC Range: 000 to 127
Determines the filter cut off-frequency. Higher values have a brighter sound. This parameter can
be modulated, using a CV Pedal for a wah-wah pedal effect. To use as an EQ, set the desired
value and make sure the ENV AMT is 0. To use as the auto-wah, set this parameter to a low
value and turn on ENV AMT.
LEVEL Range: 00 to 99
Controls the output level of the Voltage control filter.
PAN Range: -99 to +99
Determines the location of the VCF in the stereo spectrum. A value of -99 is panned hard left,
and +99 is hard right.
BW Range: 00 to 99
Determines the level and width of the resonant peak at the filter cutoff point. While the VCF FC
parameter determines where (at what frequency) this peak will occur, the BW setting controls the
presence of the peak. This setting is important for the auto-wah effect.
ENV AMT Range: 0 to 15
Controls the peak frequency at the highest point of the attack. When set to 0, the ATTACK,
DECAY, SUSTN, REL, and TRIG parameters have no effect.
KBD AMT Range: 0 to 15
Keyboard tracking amount — the cutoff frequency will track based on the KYB AMT range. Set
this parameter to work with your signal.
ATTACK Range: 50 µsec to 10.0 sec
Sets the attack of the envelope follower (i.e. determines how closely the attack is followed) once
the incoming signal has been detected. Generally the attack should be short.
DECAY Range: 50 µsec to 10.0 sec
Determines the amount of time after the attack time that the VCF will decay.
SUSTN Range: 00 to 63
Determines the amount of time the VCF will sustain before it decays.
RELEASE Range: 50 µsec to 10.0 sec
Sets the amount of time after the incoming signal has ceased for the envelope follower to shut
down. Generally these times are longer than the attack times.
TRIG Range: SINGLE or MULTI
Determines whether the VCF will retrigger with each key-event or not.
For a complete description of the remaining parameters, refer to the DDL+CHORUS+REV
algorithm found earlier in this section.
08 DDL+PHLANGR+REV
This parallel effect combines a digital delay with a phlanger (a combination phaser and flanger
effect) and a reverb. The second sub-page (not user-programmable) shows how this parallel
effect is routed:
• Voices assigned to FX1 (and panned left) are sent to Effect A (DDL)
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