109
MFX Parameters
47: Overdrive g Delay
L in
R in
Delay
Overdrive
R out
Balance W
Balance W
Balance D
Balance D
Feedback
Parameter Value Explanation
Overdrive
Drive #
0–127
Degree of distortion
Also changes the volume.
Overdrive Pan # L64–63R Stereo location of the overdrive sound
Delay Time 0–2600 ms, note
Adjusts the delay time from the direct
sound until the delay sound is heard.
Delay Feedback
#
-98–+98 %
Adjusts the proportion of the delay
sound that is fed back into the eect.
Negative (-) value will invert the
phase.
Delay HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the eect will be
cut. If you do not want to cut the high
frequencies, set this parameter to
BYPASS.
Delay Balance #
D100:0W–
D0:100W
Adjusts the volume balance between
the sound that is sent through the
delay (W) and the sound that is not
sent through the delay (D).
Level 0–127 Output Level
48: Distortion g Chorus
The parameters are essentially the same as in “45: Overdrive g
Chorus,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
L in
R in
Chorus
Distortion
L out
R out
Balance W
Balance W
Balance D
Balance D
49: Distortion g Flanger
The parameters are essentially the same as in “46: Overdrive g
Flanger,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
L in
R in
Flanger
Distortion
L out
R out
Balance W
Balance W
Balance D
Feedback
50: Distortion g Delay
The parameters are essentially the same as in “47: Overdrive g
Delay,” with the exception of the following two.
OD Drive g Dst Drive, OD Pan g Dst Pan
R in
Delay
Distortion
R out
Balance W
Balance W
Balance D
Balance D
Feedback
51: OD/DS g TouchWah
Amp
Simulator
2-Band
EQ
R in
Overdrive/
Distortion
R out
Touch
Wah
Parameter Value Explanation
Drive Switch OFF, ON Turns overdrive/distortion on/o
Drive Type
OVERDRIVE,
DISTORTION
Type of distortion
Drive # 0–127
Degree of distortion
Also changes the volume.
Tone # 0–127 Sound quality of the Overdrive eect
Amp Sw OFF, ON Turns the Amp Simulator on/o.
Amp Type
SMALL, BUILT-IN,
2-STACK,
3-STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack amp
3-STACK: large triple stack amp
Touch Wah
Switch
OFF, ON Wah on/o
Touch Wah Filter
Type
LPF, BPF
Type of lter
LPF: Produces a wah eect in a broad
frequency range.
BPF: Produces a wah eect in a
narrow frequency range.
Touch Wah
Polarity
DOWN, UP
Direction in which the lter will move
UP: Move toward a higher frequency
DOWN: Move toward a lower
frequency
Touch Wah
Sens #
0–127
Sensitivity with which the lter is
modied
Touch Wah
Manual #
0–127
Center frequency at which the wah
eect is applied
Touch Wah
Peak #
0–127
Width of the frequency region at
which the wah eect is applied
Increasing this value will make the
frequency region narrower.
Touch Wah
Balance #
D100:0W–
D0:100W
Volume balance of the sound that
passes through the wah (W) and the
unprocessed sound (D)
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Level 0–127 Output Level