IFX Parameters
85
Parameter Value Explanation
Left Level
0–127 Output level of the delay soundRight Level
Center Level
Output Mode
The optimal 3D eect will be achieved.
Speaker When using speakers
Phones When using headphones
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the eect sound (W)
Level 0–127 Output Level
53: Time Ctrl Delay
A stereo delay in which the delay time can be varied smoothly.
R in
R out
L in
L out
Feedback
Feedback
Pan L
Pan R
Time Ctrl Delay
Time Ctrl Delay
2-Band EQ
2-Band EQ
Parameter Value Explanation
Delay Time
0–1300 msec,
note
Adjusts the time until the delay is
heard.
Acceleration 0–15
Adjusts the speed which the Delay
Time changes from the current setting
to a specied new setting. The rate
of change for the Delay Time directly
aects the rate of pitch change.
Feedback -98–+98 %
Adjusts the amount of the delay that’s
fed back into the eect. Negative (-)
settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the eect is ltered
out. If you do not want to lter out any
high frequencies, set this parameter
to BYPASS.
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
54: Long Time Ctrl Delay
A delay in which the delay time can be varied smoothly, and allowing
an extended delay to be produced.
L in
R in
L out
R out
2-Band
EQ
Balance W
Balance W
Balance D
Balance D
2-Band
EQ
Feedback
Time Control Delay
Parameter Value Explanation
Delay Time
0–2600 msec,
note
Adjusts the time until the delay is
heard.
Parameter Value Explanation
Acceleration 0–15
Adjusts the speed which the Delay
Time changes from the current setting
to a specied new setting.
The rate of change for the Delay
Time directly aects the rate of pitch
change.
Feedback -98–+98 %
Adjusts the amount of the delay that’s
fed back into the eect. Negative (-)
settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the eect is ltered
out. If you do not want to lter out any
high frequencies, set this parameter
to BYPASS.
Pan L64–63R Stereo location of the delay
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
55: Tape Echo
A virtual tape echo that produces a realistic tape delay sound. This
simulates the tape echo section of a Roland RE-201 Space Echo.
Echo Level
Echo Level
L in
R in
L out
R out
Tape Echo
Direct Level
Direct Level
Parameter Value Explanation
Mode
S, M, L, S+M, S+L,
M+L, S+M+L
Combination of playback heads to use
Select from three dierent heads with
dierent delay times.
S: short
M: middle
L: long
Repeat Rate 0–127
Tape speed
Increasing this value will shorten the
spacing of the delayed sounds.
Intensity 0–127 Amount of delay repeats
Bass -15–+15 dB
Boost/cut for the lower range of the
echo sound
Treble -15–+15 dB
Boost/cut for the upper range of the
echo sound
Head S Pan
L64–63R
Independent panning for the short,
middle, and long playback heads
Head M Pan
Head L Pan
Tape Distortion 0–5
Amount of tape-dependent distortion
to be added
This simulates the slight tonal
changes that can be detected by
signal-analysis equipment. Increasing
this value will increase the distortion.
Wow/Flutter
Rate
0–127
Speed of wow/utter (complex
variation in pitch caused by tape wear
and rotational irregularity)
Wow/Flutter
Depth
0–127 Depth of wow/utter
Echo Level 0–127 Volume of the echo sound
Direct Level 0–127 Volume of the original sound
Level 0–127 Output Level
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General
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