IFX Parameters
82
Parameter Value Explanation
Delay Left
0–1300 msec,
note
Adjusts the time until the delay sound
is heard.
Delay Right
Phase Left
Phase of the left delay sound
NORMAL Non-inverted
INVERT Inverted
Phase Right
Phase of the right delay sound
NORMAL Non-inverted
INVERT Inverted
Feedback Mode NORMAL, CROSS
Selects the way in which delay sound
is fed back into the eect (See the
gures.).
Feedback -98–+98 %
Adjusts the amount of the delay
sound that’s fed back into the eect.
Negative (-) settings invert the phase.
HF Damp
200–8000 Hz,
BYPASS
Adjusts the frequency above which
sound fed back to the eect is ltered
out. If you don’t want to lter out any
high frequencies, set this parameter
to BYPASS.
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance between the direct
sound (D) and the delay sound (W)
Level 0–127 Output Level
44: Long Delay
A delay that provides a long delay time.
L in
R in
L out
R out
2-Band
EQ
Pan R
Pan L
2-Band
EQ
Feedback
Long Delay
Parameter Value Explanation
Delay Time
0–2600 msec,
note
Delay time from when the original
sound is heard to when the delay
sound is heard
Phase
NORMAL,
INVERSE
Phase of the delay (NORMAL:
non-inverted, INVERT: inverted)
Feedback -98–+98 %
Proportion of the delay sound that is
to be returned to the input (negative
(-) values invert the phase)
HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-
frequency content of the delayed
sound will be cut
(BYPASS: no cut)
Pan L64–63R Panning of the delay sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output Level
45: Serial Delay
This delay connects two delay units in series. Feedback can be
applied independently to each delay unit, allowing you to produce
complex delay sounds.
R in
R out
L in
L out
Feedback 1
Pan L
Pan R
Delay 1
Feedback 2
Delay 2
2-Band
EQ
2-Band
EQ
Parameter Value Explanation
Delay 1 Time
0–1300 msec,
note
Delay time from when sound is input
to delay 1 until the delay sound is
heard
Delay 1
Feedback
-98–+98 %
Proportion of the delay sound that is
to be returned to the input of delay 1
(negative (-) values invert the phase)
Delay 1 HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-
frequency content of the delayed
sound of delay 1 will be cut (BYPASS:
no cut)
Delay 2 Time
0–1300 msec,
note
Proportion of the delay sound that is
to be returned to the input of delay 2
(negative (-) values invert the phase)
Delay 2
Feedback
-98–+98 %
Proportion of the delay sound that is
to be returned to the input of delay 2
(negative (-) values invert the phase)
Delay 2 HF Damp
200–8000 Hz,
BYPASS
Frequency at which the high-
frequency content of the delayed
sound of delay 2 will be cut (BYPASS:
no cut)
Pan L64–63R Panning of the delay sound
Low Gain -15–+15 dB Gain of the low range
High Gain -15–+15 dB Gain of the high range
Balance
D100:0W–
D0:100W
Volume balance of the original sound
(D) and delay sound (W)
Level 0–127 Output Level
46: Modulation Delay
Adds modulation to the delayed sound.
When Feedback Mode is NORMAL:
R in R out
L in L out
Feedback
Feedback
Balance W
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
When Feedback Mode is CROSS:
R in
R out
L in
L out
Feedback
Feedback
Balance W
Balance W
Balance D
2-Band
EQ
2-Band
EQ
Delay
Delay
Modulation
Modulation
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General
Weight and Dimensions
