Yamaha PM5D User Manual

Input/output characteristics
348 PM5D/PM5D-RH Owner’s Manual Reference section
Input/output characteristics
❏ Analog Input Characteristics (PM5D)
❏ Analog Input Characteristics (PM5D-RH)
*1. Sensitivity is the lowest level that will produce an output of +4 dBu (1.23 V) or the nominal output level when the unit is set to maximum gain. (All faders
and level controls are maximum position.)
*2. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*3. Phone jacks are balanced. (Tip=HOT, Ring=COLD, Sleeve=GND )
*4. There are switches inside the body to preset the maximum input level.
* In these specifications, 0 dBu = 0.775 Vrms.
* All input AD converters are 24bit linear, 128 times (@48 kHz) oversampling.
* PM5D: +48V DC (phantom power) is supplied to INPUT (1-48) XLR type connectors via each individual switch, and TALKBACK XLR type connectors
via software switch.
PM5D-RH: +48V DC (phantom power) is supplied to INPUT (1-48) and TALKBACK XLR type connectors via master mechanical switch and each individ-
ual software switch.
Input Terminals PAD GAIN
Actual Load
Impedance
For Use With
Nominal
GAIN SW
*4
Input Level
Connector
Sensitivity
*1
Nominal
Max. Before
Clip
INPUT 1-48
0
–60dB
3kΩ
50-600Ω Mics
&
600Ω Lines
—
–80 dBu
(0.0775 mV)
–60 dBu
(0.775 mV)
–40 dBu
(7.75 mV)
XLR-3-31 Type
(Balanced)
*2
–16dB
–36 dBu
(12.3 mV)
–16 dBu
(123 mV)
+4 dBu
(1.23 V)
26
–10 dBu
(245 mV)
+10 dBu
(2.45 V)
+30 dBu
(24.51 V)
ST IN1-4 [L,R] —
–34dB
4kΩ 600Ω Lines —
–54 dBu
(1.55 mV)
–34 dBu
(15.5 mV)
–14 dBu
(155 mV)
XLR-3-31 Type
(Balanced)
*2
10dB
–10 dBu
(245 mV)
+10 dBu
(2.54 V)
+30 dBu
(24.51 V)
INSERT IN 1-48 — 10kΩ 600Ω Lines —
–16 dBu
(123 mV)
+4 dBu
(1.23 V)
+24 dBu
(12.28 V)
Phone Jack (TRS)
(Balanced)
*3
2TR IN ANALOG
1,2 [L,R]
— 10kΩ 600Ω Lines
+24 dB
(default)
–6 dBu
(388 mV)
+4 dBu
(1.23 V)
+24 dBu
(12.28 V)
XLR-3-31 Type
(Balanced)
*2
+18 dB
–12 dBu
(195 mV)
–2 dBu
(0.616 V)
+18 dBu
(6.16 V)
TALKBACK — 3kΩ
50-600Ω Mics
&
600Ω Lines
—
–60 dBu
(0.775 mV)
–50 dBu
(2.45 mV)
–30 dBu
(24.5 mV)
XLR-3-31 Type
(Balanced)
*2
Input Terminals GAIN
Actual Load
Impedance
For Use With
Nominal
GAIN SW *4
Input Level
Connector
Sensitivity *1 Nominal
Max. Before
Clip
INPUT 1-48
–62dB
3kΩ
50-600Ω Mics
&
600Ω Lines
—
–82 dBu
(61.6 µV)
–62 dBu
(0.616 mV)
–42 dBu
(6.16 mV)
XLR-3-31 Type
(Balanced)
*2
+10dB
–10 dBu
(245 mV)
+10 dBu
(2.45 V)
+30 dBu
(24.5 V)
ST IN1-4 [L,R]
–62dB
3kΩ
50-600Ω Mics
&
600Ω Lines
—
–82dBu
(61.6 µV)
–62 dBu
(0.616 mV)
–42 dBu
(6.16 mV)
XLR-3-31 Type
(Balanced)
*2
+10dB
–10 dBu
(245 mV)
+10 dBu
(2.45 V)
+30 dBu
(24.5 V)
2TR IN ANALOG
1,2 [L,R]
— 10kΩ 600Ω Lines
+24 dB
(default)
–6 dBu
(388 mV)
+4 dBu
(1.23 V)
+24 dBu
(12.28 V)
XLR-3-31 Type
(Balanced)
*2
+18 dB
–12 dBu
(195 mV)
–2 dBu
(0.616 V)
+18 dBu
(6.16 V)
TALKBACK — 3kΩ
50-600Ω Mics
&
600Ω Lines
—
–60 dBu
(0.775 mV)
–50 dBu
(2.45 mV)
–30 dBu
(24.5 mV)
XLR-3-31 Type
(Balanced)
*2

Yamaha PM5D Specifications

General

Type	Digital Mixing Console
Sampling Frequency	44.1kHz, 48kHz
EQ	4-band parametric EQ per channel
A/D Conversion	24-bit
D/A Conversion	24-bit
Number of Output Channels	24
Internal Processing	32bit
Metering	LED level meters
Frequency Response	20Hz - 20kHz
THD+N	<0.05%
Connectivity	MIDI, Ethernet
Dynamic Processing	Gate, compressor, limiter per channel
Number of Input Channels	48 mono + 4 stereo
Dynamic Range	110 dB typ