116 HD96-24-CC-TP User Manual
Oscillator
The signal generator section can output pink noise (pink noise generator) or sine wave tone (sinusoidal oscillator).
1. Oscillator Internal – Connects the signal generator output to the internal Talk and talk select busses. The internal talk bus can then be mixed onto any of the
HD96-24’s busses by pressing the talk button in the Aux widget.
2. Oscillator External – connect to the external talk bus to send to a patched XLR output.
3. Level control – Gives continuous adjustment of signal generator peak output signals from o (4) to +10 dB.
4. Frequency (Freq) – Gives continuous adjustment of the sinusoidal oscillator frequency from 50 Hz to 5 kHz.
5. 1 kHz switch – Overrides the swept frequency control (item 4) and provides a xed 1 kHz tone.
6. Pink switch – Overrides the sine wave oscillator and converts the output signal to pink noise.
Shout Mixer Conguration
The Shout Mixer Conguration page, found in the side bar menu, allows complex communication groups to be created and stored. 16 shout inputs (independent of the
input and output channel count) can be used to create complicated talk systems with 12 dedicated outputs to allow dierent mixes as required.
Matrix Mixer
The Matrix Mixer allow routing of the 16 shout inputs signals to any of the 12 Shout out paths. The Shout outputs and inputs are available in the patching page. The 16
shout ins and 12 shout outs can be named, colored, given icons and tagged in the same manner as other channels by clicking in the naming eld in the side bar display.
Matrix Mixer Controls
1. Shout in 1-16 – Shout Ins can have any source patched to them including directly from any microphone pre-amp currently congured in the system (saving input
channels) or from any output bus. The Shout ins can then be sent to a shout output. Long pressing a Shout In button selects it in all shout out busses (vertical
selection).
2. Shout level and On Display – Shows the level (Sloping shape) and On/O status (green dot) to the assigned shout out bus.
3. Absolute/Relative/Pass-thru – Absolute changes the value to the current selected value (lowest value dB becomes the starting point). Relative keeps the value
dierences intact, once the maximum value is reached levels will become absolute. Pass-thru only aects values when the value reaches the same value as the
lowest selected value while the control is increased.
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