About Eect Types
143
EQ Tab
LO TYPE LM TYPE HM TYPE HI TYPE
EQ ON Turns the EQ on/o
FREQ Center frequency
Q Sharpness of the frequency-response curve
TYPE Displays the Filter Type Selection popover.
GAIN Gain
EQ LEVEL EQ level
Filter Type Selection Popover
PEAK Peaking
LSV Low shelving
HSV High shelving
HPF High-pass lter (-6 dB/oct)
HPF2 High-pass lter (-12 dB/oct)
LPF Low-pass lter (-6 dB/oct)
LPF2 Low-pass lter (-12 dB/oct)
BPF Bandpass lter
NOTCH Notch lter
LSV2 Low shelving with controllable Q
HSV2 High shelving with controllable Q
REVERB
Input L
Input R
Reverb
DRY
DRY
4 Band EQ
Output L
Output R
Key-In
Gate
This is a mono-in, stereo-out reverb. It provides a gate that can be
used for gating or ducking, allowing you to cut the reverb during
its decay, or to cut the reverb when the level of the original sound
is high.
When REVERB+GATE is selected, three tabs are displayed.
REVERB Tab
SIZE Size of the room or hall
TIME Length of the reverberation
PRE DELAY Time until the reverb is heard
ER LEVEL Level of the early reections
DIFFUSION
Adjusts the change in the density of the reverb
over time.
The higher the value, the more the density
increases with time. The eect of this setting is
most pronounced with long reverb times.
DENSITY Density of the early reection/reverb sound
WET Level of the reverb sound
DRY Level of the original sound
LF DMP GAIN Low-frequency attenuation of the reverb sound
LF DMP FREQ
Frequency at which the low-frequency region of
the reverb sound begins to be attenuated
* This setting is in eect even when LF DAMP
GAIN is 0 dB.
HF DMP GAIN High-frequency attenuation of the reverb sound
HF DMP FREQ
Frequency at which the high-frequency region of
the reverb sound begins to be attenuated
* This setting is in eect even when HF DAMP
GAIN is 0 dB.
HI CUT FREQ
Frequency at which the high-frequency region of
the reverb sound will be cut
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