About Eect Types
151
MEMO
The lower and upper limits of the value will dier depending on
<MODE> and <REV SEL>.
NON LNR mode: -.9-99s
(For negative (-) values, the reverberation will gradually become
louder.)
REVERB mode:
REV SEL REV TIME
P-A, P-B, H37, R37 0.5-99
H32, R32 0.4-90
H26, R26 0.3-70
H22, R22 0.2-50
H15, R15 0.1-30
R7.0 0.1-6.0
R1.0 0.1-1.0
R0.3 0.1-0.5
EQ Tab
LOW FREQ Center frequency for the LOW EQ
L BOOST/CUT Amount of boost/cut for the LOW EQ
MID FREQ Center frequency for the MID EQ
MID Q
Sharpness of the MID EQ frequency-response
curve
M BOOST/CUT Amount of boost/cut for the MID EQ
HIGH FREQ Center frequency for the HIGH EQ
HIGH Q
Sharpness of the HIGH EQ frequency-response
curve
H BOOST/CUT Amount of boost/cut for the HIGH EQ
SDE-3000 x2 (Digital Delay)
This is a delay that models the Roland SDE-3000 digital delay. The
original unit was mono-in, mono-out, but this modeling provides a
dual-mono conguration with two such units in parallel. The MOD
LINK Sw allows you to use this as a stereo-in, stereo-out unit.
The SDE-3000 was released in 1983, and was used in numerous
recording studios and PA systems around the world.
The operation procedures for A and B are the same.
MOD LINK
Species whether the modulation of the two
SDE-3000 units will be linked
MOD B
Species whether to invert the phase of the
modulation for channel B
NORM/INV
EFFECT ON Turns the eect sound on/o
DIRECT ON Turns the unprocessed sound on/o
FILTER
Changes the frequency response of the delay
sound
TIME x2
OFF: TIME 0-1500ms(EXPAND 1.00)
Frequency response 10 Hz–17 kHz (+0.5 dB/-3 dB)
ON: TIME 0-3000ms(EXPAND 1.00)
Frequency response 10 Hz–8 kHz (+0.5 dB/-3 dB)
DLY PHASE
Reverse/normal phase for the delay sound (useful
in conjunction with modulation)
MOD Modulation on/o
FB PHASE
Reverse/normal phase for the delay sound
feedback
TIME
Time from original sound to when delay sound
is heard
0-1500ms(SYNC Sw OFF)
OFF, 1/64T-1/1(SYNC Sw ON)
TAP
Tap Tempo
Species the TIME as the average interval at
which the button is pressed.
FEEDBACK
Amount of delay sound returned to the delay’s
input
OUT Output level of the delay sound
MOD RATE Modulation oscillator frequency
MOD DEPTH Modulation depth
EXPAND Expands the TIME by up to 1.60 times
Memo
Just as in the original unit, the EXP A/B setting will change the
sampling frequency of processing. For inputs other than an
electric guitar or electric bass, an alias noise may be generated.
If this occurs, lower the value to a point where alias noise does
not occur.