About Eect Types
147
FEEDBACK Tab
FB TIME
Time until the delayed sound is returned to the
input of the delay
FB LEVEL
Amount of delayed sound returned to the input
of the delay.
The feedback level species the amount of
sound that is returned. Increasing this setting will
increase the number of delay repetitions.
WET LEVEL Level of the delay sound
DRY LEVEL Level of the original sound
LF DMP GAIN Low-frequency attenuation of the delay sound
LF DMP FREQ
Frequency at which the low-frequency region of
the delay sound begins to be attenuated
HF DMP GAIN High-frequency attenuation of the delay sound
HF DMP FREQ
Frequency at which the high-frequency region of
the delay sound begins to be attenuated
X.MOD DELAY
Input L
Input R
Delay L
Output L
Output R
DRY
DRY
Delay R
XFB
FB
FB
Modulation
DPF
WET
POSITION
WET
POSITION
DPF
POST DPF
POST DPF
PRE DPF
PRE DPF
This is a stereo-in, stereo-out cross-modulation delay.
WET POSITION
The wet position species how the delay’s
wet signal is related to the position of the DPF
(Damp Filter).
PRE DAMP: Takes the wet sound from before the
damp lter.
The signal before passing through the damp lter
is used as the wet signal. In this case, the damp
lter is applied only to the delay feedback.
POST DAMP: Takes the wet sound from after the
damp lter.
the signal after passing through the damp lter
is used as the wet signal. In this case, the damp
lter is applied to all of the delay sound.
MOD WAVE
Waveform used for modulation
SIN/SQR/EXP+/EXP-
DELAY TIME L
Time from the original sound until the left-
channel delay is heard
DELAY TIME L TAP
Tap Tempo
Species the DELAY TIME L as the average interval
at which the button is pressed.
DELAY TIME R
Time from the original sound until the right-
channel delay is heard
DELAY TIME R TAP
Tap Tempo
Species the DELAY TIME R as the average
interval at which the button is pressed.
FEEDBACK
Amount of delayed sound returned to the input
of the delay.
X-FEEDBACK
Amount of delayed sound returned to the input
of the delay of the opposite side
* Cross feedback will feed back the eect sound
to the opposite input (left or right).
WET LEVEL Level of the delay sound
DRY LEVEL Level of the original sound
LF DMP GAIN Low-frequency attenuation of the delay sound
LF DMP FREQ
Frequency at which the low-frequency region of
the delay sound begins to be attenuated
HF DMP GAIN High-frequency attenuation of the delay sound
HF DMP FREQ
Frequency at which the high-frequency region of
the delay sound begins to be attenuated
MOD RATE Rate of modulation
MOD DEPTH Depth of modulation
MOD PHASE Phase dierence between modulation L and R